
“To disagree with three-fourths of the British public is one of the first requisites of sanity.”
Calling for psychiatric examinations in regard to the life sentence of the Mafia-member Vittorio Mangano, whom Senator Marcello Dell'Utri, called a hero, as reported in 'Berlusconi: "Perizie per i pm" Dell'Utri: "Mangano un eroe" 'in la Repubblica (8 April 2008) http://www.repubblica.it/2008/04/sezioni/politica/verso-elezioni-18/berlusconi-toghe/berlusconi-toghe.html
2007
“To disagree with three-fourths of the British public is one of the first requisites of sanity.”
Psychiatric drug promotion and the politics of neoliberalism: The British Journal of Psychiatry is wrong to blame neoliberalism for the over-prescription of antidepressants http://www.socialaffairsunit.org.uk/blog/archives/000941.php (May 24, 2006).
The Social Affairs Unit (2006 - 2008)
The Mind of Mr J. G. Reeder (2000), opening words
1900s, First Annual Message to Congress (1901)
Context: The first essential in determining how to deal with the great industrial combinations is knowledge of the facts—publicity. In the interest of the public, the Government should have the right to inspect and examine the workings of the great corporations engaged in interstate business. Publicity is the only sure remedy which we can now invoke. What further remedies are needed in the way of governmental regulation, or taxation, can only be determined after publicity has been obtained, by process of law, and in the course of administration. The first requisite is knowledge, full and complete—knowledge which may be made public to the world. Artificial bodies, such as corporations and joint stock or other associations, depending upon any statutory law for their existence or privileges, should be subject to proper governmental supervision, and full and accurate information as to their operations should be made public regularly at reasonable intervals.
Source: The Philosophy of Manufactures, 1835, p. viii
Source: Charles E. Miller (2010) Conscience, Denied, p. 21
The English Renaissance of Art https://ebooks.adelaide.edu.au/w/wilde/oscar/english-renaissance-of-art/ (1882)
Les gens du monde et de la Cour donnent aux hommes et aux choses une valeur conventionnelle dont ils s'étonnent de se trouver les dupes. Ils ressemblent à des calculateurs, qui, en faisant un compte, donneraient aux chiffres une valeur variable et arbitraire, et qui, ensuite, dans l'addition, leur rendant leur valeur réelle et réglée, seraient tout surpris de ne pas trouver leur compte.
Maximes et Pensées, #199
Maxims and Considerations, #199
Source: 1950s, The painter and the audience' (1954), p. 106