“In the Spring of 1926 I made some toy animals of curtain rods, broom handles, etc., and wire. Later, a few dolls, which I animated…. in the winter of 1927–1928 I made some more toys for a friend to take home as gifts, and having shown them to De Creeft a Spanish sculptor with a very acute sense of humor, I was urged by him to make some more toys and to expose them at the ] of which animation is one of the chief characteristics.”

1920s, Statement on Wire Sculpture' (1929)

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Alexander Calder 41
American artist 1898–1976

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Alexander Calder photo
Alexander Calder photo

“I started [in Paris, 1920's, making toys] right away, using wire as my main material as well as working with others like string, leather, fabric and wood. Wood combined with wire (with which I could make the heads, tails and feet of animals as well as articulating parts) was almost always my medium of choice. One friend of mine suggested that I should make bodies entirely of wire, and that is how I started to make what I called 'Wire Sculpture.”

Alexander Calder (1898–1976) American artist

In Montparnasse, I became known as the 'King of Wire'.

Quote of Alexander Calder (1952), looking back, from Permanence Du Cirque, in 'Revue Neuf', Calder Foundation, 1952; as quoted in Calder and Mondrian: An Unlikely Kinship, senior-thesis by Eva Yonas http://citeseerx.ist.psu.edu/viewdoc/download?doi=10.1.1.517.581&rep=rep1&type=pdf, Ohio State University August 2006, Department of Art History, p.19 – note 26

Calder first began using wire extensively in 1926, creating mechanical toys that would be the precursors to the Paris' 'Cirque Calder'
1950s - 1960s

Ramakrishna photo

“As a toy fruit or a toy elephant reminds one of the real fruit and the living animal, so do the images that are worshipped remind one of the God who is formless and eternal.”

Ramakrishna (1836–1886) Indian mystic and religious preacher

Source: Sayings of Sri Ramakrishna (1960), p. 325

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Erik Naggum photo

“Some people are not much more than herd animals, which rot together when the world becomes uncomfortable… I am not one of them. If I had a motto, it would probably be: The herd over there, I here”

Erik Naggum (1965–2009) Norwegian computer programmer

translated from Norwegian with google
Source: Kranglefant på nettet https://www.dagbladet.no/kultur/kranglefant-pa-nettet/65497877 (Publisert lørdag 09. januar 1999 - 09:18)

Abraham Cowley photo

“We spent them not in toys, in lusts, or wine,
But search of deep philosophy,
Wit, eloquence, and poetry;
Arts which I lov'd, for they, my friend, were thine.”

Abraham Cowley (1618–1667) British writer

On the Death of Mr. William Harvey; reported in Bartlett's Familiar Quotations, 10th ed. (1919).

August Krogh photo

“For a large number of problems there will be some animal of choice or a few such animals on which it can be most conveniently studied.”

August Krogh (1874–1949) Danish physiologist

A. Krogh (1929). The progress of physiology, American Journal of Physiology 90:243–251.
See Krogh Principle
Famously quoted by an important microbiologist in: Krebs H. A. (1975). The August Krogh Principle: "For many problems there is an animal on which it can be most conveniently studied." Journal of Experimental Zoology 194:221–226.

Caitlín R. Kiernan photo

“I sense that many readers want nothing more complex or challenging than wind-up toys. It's dispiriting.”

Caitlín R. Kiernan (1964) writer

(3 January 2005)
Unfit for Mass Consumption (blog entries), 2005
Context: I want to build vast machines of light and darkness, intricate mechanisms within mechanisms, a progression of gears and cogs and pistons each working to its own end as well as that of the Greater Device. That's what I see in my head. But, too often, I sense that many readers want nothing more complex or challenging than wind-up toys. It's dispiriting.

R. A. Lafferty photo

“Be you not toys any longer! Stir up the wild business in you. You have to be real animals before you can be men.”

R. A. Lafferty (1914–2002) American writer

Source: Space Chantey (1968), Ch. 6
Context: The witch has been playing a semantic trick on us. We were already pretty salty animals when we came here! It is toy animals she has turned us into. We have been working against ourselves, trying to be men again, but to be her idea of men, since we live in her context. But she does not know real animals, or men. … Be you not toys any longer! Stir up the wild business in you. You have to be real animals before you can be men.

James Branch Cabell photo

“I take it that I must be the eternal playfellow of time. For piety and common-sense and death are rightfully time's toys; and it is with these three that I divert myself.”

James Branch Cabell (1879–1958) American author

Horvendile, in Ch. 13 : What a Boy Thought
The Way of Ecben (1929)

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