“In the Spring of 1926 I made some toy animals of curtain rods, broom handles, etc., and wire. Later, a few dolls, which I animated…. in the winter of 1927–1928 I made some more toys for a friend to take home as gifts, and having shown them to De Creeft a Spanish sculptor with a very acute sense of humor, I was urged by him to make some more toys and to expose them at the ] of which animation is one of the chief characteristics.”
1920s, Statement on Wire Sculpture' (1929)
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Alexander Calder 41
American artist 1898–1976Related quotes

In Montparnasse, I became known as the 'King of Wire'.
Quote of Alexander Calder (1952), looking back, from Permanence Du Cirque, in 'Revue Neuf', Calder Foundation, 1952; as quoted in Calder and Mondrian: An Unlikely Kinship, senior-thesis by Eva Yonas http://citeseerx.ist.psu.edu/viewdoc/download?doi=10.1.1.517.581&rep=rep1&type=pdf, Ohio State University August 2006, Department of Art History, p.19 – note 26
Calder first began using wire extensively in 1926, creating mechanical toys that would be the precursors to the Paris' 'Cirque Calder'
1950s - 1960s

Source: Sayings of Sri Ramakrishna (1960), p. 325

The R. Crumb Handbook by Robert Crumb and Peter Poplaski (2005), p. 23

translated from Norwegian with google
Source: Kranglefant på nettet https://www.dagbladet.no/kultur/kranglefant-pa-nettet/65497877 (Publisert lørdag 09. januar 1999 - 09:18)

On the Death of Mr. William Harvey; reported in Bartlett's Familiar Quotations, 10th ed. (1919).

A. Krogh (1929). The progress of physiology, American Journal of Physiology 90:243–251.
See Krogh Principle
Famously quoted by an important microbiologist in: Krebs H. A. (1975). The August Krogh Principle: "For many problems there is an animal on which it can be most conveniently studied." Journal of Experimental Zoology 194:221–226.

(3 January 2005)
Unfit for Mass Consumption (blog entries), 2005
Context: I want to build vast machines of light and darkness, intricate mechanisms within mechanisms, a progression of gears and cogs and pistons each working to its own end as well as that of the Greater Device. That's what I see in my head. But, too often, I sense that many readers want nothing more complex or challenging than wind-up toys. It's dispiriting.

Source: Space Chantey (1968), Ch. 6
Context: The witch has been playing a semantic trick on us. We were already pretty salty animals when we came here! It is toy animals she has turned us into. We have been working against ourselves, trying to be men again, but to be her idea of men, since we live in her context. But she does not know real animals, or men. … Be you not toys any longer! Stir up the wild business in you. You have to be real animals before you can be men.

Horvendile, in Ch. 13 : What a Boy Thought
The Way of Ecben (1929)