“I made the flames lick the surface of the painting in such a way that is recorded the spontaneous traces of the fire. But what is it that provokes in me this pursuit of the impression of fire? Why must I search for its traces? Because every work of creation, quite apart from its cosmic position, is the representation of pure phenomenology – every phenomenon manifests itself of its own accord. This manifestation is always distinct from form, and is the essence of the immediate, the trace of the immediate.”

— Yves Klein

In 1961; p. 67
Klein's quote on making paintings with a flame-thrower
1960 -1964, "Yves Klein, 1928 – 1962, Selected Writings"

Adopted from Wikiquote. Last update Sept. 14, 2021. History

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Yves Klein 33

French artist 1928–1962

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1920s and later

“At present, I am particularly excited by 'bad taste'. I have the deep feeling that there exists in the very essence of bad taste a power capable of creating those things situated far beyond what is traditionally termed 'The Work of Art'. I wish to play with human feeling, with its 'morbidity' in a cold and ferocious manner. Only very recently I have become a sort of gravedigger of art (oddly enough, I am using the very terms of my enemies). Some of my latest works have been coffins and tombs. During the same time I succeeded in painting with fire, using particularly powerful and searing gas flames, some of them measuring three to four meters high. I use these to bathe the surface of the painting in such a way that it registered the spontaneous trace of fire.”

Yves Klein (1928–1962) French artist

Quote from Klein's 'Chelsea Hotel Manifesto', 1961; from the Yves Klein Archives - archived from the original on 15 January 2013; as cited on Wikipedia: Yves Klein
After the opening of his unsuccesful exhibition at Leo Castelli's Gallery, New York 1961, Klein stayed with Rotraut Uecker (fr) at the Chelsea Hotel for the duration of the exhibition. While there, he wrote the 'Chelsea Hotel Manifesto', a proclamation of the 'multiplicity of new possibilities'
1960 -1964

“To radicalize the question of phenomenology is not only to aim for a pure phenomenality but to seek out the mode according to which it originally becomes a phenomenon -- the substance, the stuff, the phenomenological matter of which it is made, its phenomenologically pure materiality. That is the task of material phenomenology. Prior to this being-toward-the-outside in which everything is properly speaking placed outside of itself and in which every reality is a priori emptied and dispossessed of itself and thus becomes its contrary, an irreality, and prior to the abandonment and undoing that is called death and that would be unable to exist on its own, material phenomenology is devoted to the discovery of the reign of a phenomenality that is constructed in such a surprising way that the thought that always thinks about the world never thinks about it. To the internal structure of this originary manifestation, there belongs no Outside, no Separation, no Ek-stasis. Its phenomenological substance is not visibility. None of the categories that have been used by philosophy since the Greeks at any rate, are appropriate for it.”

Michel Henry (1922–2002) French writer

Source: Michel Henry, Material Phenomenology, Fordham University Press, 2008, p. 2
Source: Books on Phenomenology and Life, Material Phenomenology (1990)

“Today I believe in the possibility of love; that is why I endeavor to trace its imperfections, its perversions.”

Frantz Fanon book Black Skin, White Masks

Source: Black Skin, White Masks

“Every self-manifestation bestows a new creation and removes a pre-ceding creation. Its removal is the essence of annihilation (fanaa) in the passing self-manifestation and subsistence (baqaa) in the bestowal of the following self-manifestation.”

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Source: Binyamin Abrahamov.Ibn Al-Arabi's Fusus Al-Hikam: An Annotated Translation of "The Bezels of Wisdom" p. 92, كلَّ تجلٍّ يعطي خلقًا جديدًا ويذهب بخلق: فذهابه هو الفناء عند التجلِّي والبقاء لما يعطيه التجلِّي الآخر Bezels of Wisdom (فصوص الحكم) https://archive.org/details/abeer_20160509/page/n127/mode/2up

“Material phenomenology is able to designate this invisible phenomenological substance. It is not a nothing but rather an affect, or put otherwise, it is what makes every affect, ultimately every affection, and every thing possible. The phenomenological substance that material phenomenology has in view is the pathetic immediacy in which life experiences itself. Life is itself nothing other than this pathetic embrace and, in this way, is phenomenality itself according to the how of its original phenomenalization. Life is thus not a something, like the object of biology, but the principle of every thing. It is a phenomenological life in the radical sense where life defines the essence of pure phenomenality and accordingly of being insofar as being is coextensive with the phenomenon and founded on it. For what could I know that could not appear ?”

Michel Henry (1922–2002) French writer

Source: Michel Henry, Material Phenomenology, Fordham University Press, 2008, p. 2-3
Source: Books on Phenomenology and Life, Material Phenomenology (1990)

“A game of cricket is at work from the first ball to the last in shaping an outline or design for itself. Sometimes the design degenerates into dullness and incompetence, but design there always is, and there is an interest even in the tracing of the course and impulse of its failures.”

Dudley Carew (1903–1981) English journalist, writer, poet and film critic

To the Wicket (1946)

“It is the event that is the immediate entity of perception; Nature is the sum-total of events, and every instrument of thought that our minds employ can be traced back to its ultimate origin in events.”

Herbert Dingle (1890–1978) British astronomer

pages 12–13 https://books.google.com/books?id=hwpKAAAAIAAJ&pg=PA12
Relativity for All, London, 1922

“In order to join vigorously in the moral work of the world I must believe that somehow the best I can accomplish will endure, will leave its trace on things, will aid the final consummation.”

Felix Adler (1851–1933) German American professor of political and social ethics, rationalist, and lecturer

Section 4 : Moral Ideals
Founding Address (1876), Life and Destiny (1913)

“Power operates only destructively, bent always on forcing every manifestation of life into the straitjacket of its laws. Its intellectual form of expression is dead dogma, its physical form brute force.”

Rudolf Rocker book Anarcho-Syndicalism

Source: Anarcho-Syndicalism (1938), Ch. 1 "Anarchism: Its Aims and Purposes"
Context: Power operates only destructively, bent always on forcing every manifestation of life into the straitjacket of its laws. Its intellectual form of expression is dead dogma, its physical form brute force. And this unintelligence of its objectives sets its stamp on its supporters also and renders them stupid and brutal, even when they were originally endowed with the best of talents. One who is constantly striving to force everything into a mechanical order at last becomes a machine himself and loses all human feeling.
It was from the understanding of this that modern Anarchism was born and now draws its moral force. Only freedom can inspire men to great things and bring about social and political transformations. The art of ruling men has never been the art of educating men and inspiring them to a new shaping of their lives. Dreary compulsion has at its command only lifeless drill, which smothers any vital initiative at its birth and can bring forth only subjects, not free men. Freedom is the very essence of life, the impelling force in all intellectual and social development, the creator of every new outlook for the future of mankind. The liberation of man from economic exploitation and from intellectual and political oppression, which finds its finest expression in the world-philosophy of Anarchism, is the first prerequisite for the evolution of a higher social culture and a new humanity.

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Yves Klein 33

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