“Chuang Tzu's wife died and Hui Tzu came to console him, but Chuang Tzu was sitting, legs akimbo, bashing a battered tub and singing. Hui Tzu said, 'You lived as man and wife, she reared your children. At her death surely the least you should be doing is to be on the verge of weeping, rather than banging the tub and singing: this is not right!' Chuang Tzu said, 'Certainly not. When she first died, I certainly mourned just like everyone else! However, I then thought back to her birth and to the very roots of her being, before she was born. Indeed, not just before she was born but before the time when her body was created. Not just before her body was created but before the origin of life's breath. Her life's breath wrought a transformation and she had a body. Her body wrought a transformation and she was born. Now there is yet another transformation and she is dead. She is like the four seasons in the way that spring, summer, autumn and winter follow each other. She is now at peace, lying in her chamber, but if I were to sob and cry it would certainly appear that I could not comprehend the ways of destiny. This is why I stopped.<nowiki/”

"A Note To The Reader".
The Way of Chuang-Tzŭ (1965)
Context: I simply like Chuang Tzu because he is what he is and I feel no need to justify this liking to myself or to anyone else. He is far too great to need any apologies from me. … His philosophical temper is, I believe, profoundly original and sane. It can of course be misunderstood. But it is basically simple and direct. It seeks, as does all the greatest philosoph­ical thought, to go immediately to the heart of things.
Chuang Tzu is not concerned with words and formulas about reality, but with the direct existential grasp of reality in itself. Such a grasp is necessarily obscure and does not lend itself to abstract analysis. It can be presented in a parable, a fable, or a funny story about a conversation between two philosophers.

Source: Stamping Butterflies (2004), Chapter 25 (p. 157)

"The Way Of Chuang Tzu".
The Way of Chuang-Tzŭ (1965)
Context: The humor, the sophistication, the literary genius, and philosophical insight of Chuang Tzu are evident to anyone who samples his work. But before one can begin to understand even a little of his subtlety, one must situate him in his cul­tural and historical context. That is to say that one must see him against the background of the Confucianism which he did not hesitate to ridicule, along with all the other sedate and accepted schools of Chinese thought, from that of Mo Ti to that of Chuang's contemporary, friend, and constant op­ponent, the logician Hui Tzu. One must also see him in rela­tion to what followed him, because it would be a great mistake to confuse the Taoism of Chuang Tzu with the popular, de­ generate amalgam of superstition, alchemy, magic, and health­ culture which Taoism later became.
The true inheritors of the thought and spirit of Chuang Tzu are the Chinese Zen Buddhists of the Tang period (7th to 10th centuries A. D.). But Chuang Tzu continued to exert an influence on all cultured Chinese thought, since he never ceased to be recognized as one of the great writers and think­ ers of the classical period. The subtle, sophisticated, mystical Taoism of Chuang Tzu and Lao Tzu has left a permanent mark on all Chinese culture and on the Chinese character itself. There have never been lacking authorities like Daisetz T. Suzuki, the Japanese Zen scholar, who declare Chuang Tzu to be the very greatest of the Chinese philosophers. There is no question that the kind of thought and culture represented by Chuang Tzu was what transformed highly speculative Indian Buddhism into the humorous, iconoclastic, and totally practical kind of Buddhism that was to flourish in China and in Japan in the various schools of Zen. Zen throws light on Chuang Tzu, and Chuang Tzu throws light on Zen.

"A Note To The Reader".
The Way of Chuang-Tzŭ (1965)

"The Way Of Chuang Tzu".
The Way of Chuang-Tzŭ (1965)
Context: The secret of the way proposed by Chuang Tzu is … not the accumulation of virtue and merit … but wu wei, the non-doing, or non-action, which is not intent upon results and is not concerned with consciously laid plans or deliberately organized endeavors: "My greatest happiness consists precisely in doing nothing whatever that is calculated to obtain happiness... Perfect joy is to be without joy... if you ask 'what ought to be done' and 'what ought not to be done' on earth to produce happiness, I answer that these questions do not have [a fixed and predetermined] answer" to suit every case. If one is in harmony with Tao-the cosmic Tao, "Great Tao" — the answer will make itself clear when the time comes to act, for then one will act not according to the human and self-conscious mode of deliberation, but accord­ ing to the divine and spontaneous mode of wu wei, which is the mode of action of Tao itself, and is therefore the source of all good.
The other way, the way of conscious striving, even though it may claim to be a way of virtue, is fundamentally a way of self-aggrandizement, and it is consequently bound to come into conflict with Tao. Hence it is self-destructive, for "what is against Tao will cease to be."

translated by Tsai-fa Cheng, Zongli Lu, William H. Nienhauser, Jr., and Robert Reynolds, in The Grand Scribe’s Records, edited by William H. Nienhauser, Jr.
孫子吳起列傳 https://zh.wikisource.org/wiki/%E5%8F%B2%E8%A8%98/%E5%8D%B7065
Records of the Grand Historian

"A Note To The Reader".
The Way of Chuang-Tzŭ (1965)
Context: Ecclesiastes is a book of earth, and the Gospel ethic is an ethic of revelation made on earth of a God Incarnate. The "Little Way" of Therese of Lisieux is an explicit renunciation of all exalted and disincarnate spiritualities that divide man against him­ self, putting one half in the realm of angels and the other in an earthly hell. For Chuang Tzu, as for the Gospel, to lose one's life is to save it, and to seek to save it for one's own sake is to lose it. There is an affirmation of the world that is nothing but ruin and loss. There is a renunciation of the world that finds and saves man in his own home, which is God's world. In any event, the "way" of Chuang Tzu is mysterious because it is so simple that it can get along without being a way at all. Least of all is it a "way out." Chuang Tzu would have agreed with St. John of the Cross, that you enter upon this kind of way when you leave all ways and, in some sense, get lost.

"The Enemy and Us", in Vietnam Courier (December 1972), quoted in Traveling to Vietnam: American Peace Activists and the War by Mary Hershberger (Syracuse University Press, 1998), ISBN 978-0815605171, p. 180

Source: World War Z: An Oral History of the Zombie War