
late quote about the start of his famous large painting 'Where do we come from? What are we? Where are we going'
Source: 1890s - 1910s, The Writings of a Savage (1996), pp. 159-160: in a letter from Tahiti to a friend, 1898
Interviewed https://www.youtube.com/watch?v=oMK6aBSX2QY on The Mike Douglas Show (1972).
1972
late quote about the start of his famous large painting 'Where do we come from? What are we? Where are we going'
Source: 1890s - 1910s, The Writings of a Savage (1996), pp. 159-160: in a letter from Tahiti to a friend, 1898
On Injuries
“After the surgeries, I respected Ronnie Brown, I respected Benson, I respected Cadillac. But I told people, ‘Once I get healthy I WILL NEVER be outrushed by any of those guys. No one in my draft class will ever outrush me again. That second year I proved that.
“How I did that … I don’t know. It’s not me. It’s God. God got me here. God and hard work. Respecting the game. Love, man. Love. Love the game. Love my teammates. Every time I get ready to strap up, show the world today that no one is better.”
Kandinsky is remembering his experience that he saw one of the 'Haystack' paintings of Monet, for the first time in his life, in Moscow (1895)
Source: 1916 -1920, Autobiography', 1918, p. 10
I had no money. Just a Rucksack and a hammer. And I started these assemblages. That was in 1921, But in all books on assemblages these things are not mentioned.
Homage to the square' (1964), Oral history interview with Josef Albers' (1968)
I’m Gay And I’ve Been Banned From San Francisco! http://www.breitbart.com/california/2016/03/18/ive-been-banned-from-san-francisco/ Breitbart (18 March 2016)
2016
In an interview (March 1960) with David Sylvester, edited for broadcasting by the BBC first published in 'Living Arts', June 1963; as quoted in Interviews with American Artists, by David Sylvester; Chatto & Windus, London 2001, pp. 27-28
1960s
Quote from Abstract Expressionism, Barbara Hess, New York, Abrams, 1971, p. 29
1970s - 1980s
On his leaving the music industry after his hits of the 80s, as quoted in Metro (3 September 2004) http://www.stockaitkenwaterman.com/artists/astl07.htm