
quote of 1948
1942 - 1948
Source: Movements in art since 1945, Edward Lucie-Smith, Thames and Hudson 1975, p 32
translation from original Dutch, Fons Heijnsbroek, 2018
version in original Dutch / citaat van Jacob Maris, in het Nederlands: Daarentegen wordt mij verweten dat mijn schilderijen niet af zijn, hoe ik mijn lucht ook doorwerkt heb. Nu, 'af' in de gewone beteekenis van het woord is mijn werk zeker niet. Door in dien zin het af te maken, zou ik er het leven uithalen.
in Jacob Maris (1837-1899), M. van Heteren and others; as cited in 'Ik denk in mijn materie', in exhibition catalog of Teylers Museum / Museum Jan Cunen), Zwolle 2003, p. 76
quote of 1948
1942 - 1948
Source: Movements in art since 1945, Edward Lucie-Smith, Thames and Hudson 1975, p 32
“But it is not time for me to die; I have not yet finished my life's work.”
Source: a little time before his death, as quoted by A. J. Q. Alkemade, in [Biografisch Woordenboek van Nederland, 1982, http://www.inghist.nl/Onderzoek/Projecten/BWN/lemmata/bwn5/burgers]
Quote from an interview, 1966; as quoted in Minimal Art, a Critical Anthology, ed. Gregory Battcock, University of California Press, Berkeley 1968, p. 157-161
Quotes, 1960 - 1970
Hong, 1987/2013. p. 296
1840s, Either/Or (1843)
“A painting that is well composed is half-finished.”
“A painting is finished when the artist says it is finished.”
Statement attributed to Rembrandt in early biographies, as quoted in The Rise of the Cult of Rembrandt: Reinventing an Old Master in Nineteenth-Century France (2003), by Alison MacQueen
One of the popular aphorisms about Rembrandt's paintings, drawn from his early biographies in early 19th century and repeatedly attributed to the artist by the French writers and artist, Rise of the Cult of Rembrandt: Reinventing an Old Master in Nineteenth-Century France, 2003,p. 287 https://books.google.nl/books?id=N0dVqAsR5k0C&pg=PA292&lpg=PA292&dq=The+Rise+of+the+Cult+of+Rembrandt:+Reinventing+an+Old+Master+in+Nineteenth-century+France&source=bl&ots=SgL2TN2Xct&sig=ZJuOkH35vmifBkzcu5ASLdLyhTI&hl=en&sa=X&ved=0ahUKEwjx17OkrpfVAhWKnBoKHQlxA0oQ6AEIVzAJ#v=onepage&q=The%20Rise%20of%20the%20Cult%20of%20Rembrandt%3A%20Reinventing%20an%20Old%20Master%20in%20Nineteenth-century%20France&f=false/The
undated quotes
“In my next life I want to live backwards. Start out dead and finish off as an orgasm.”
In a letter of 28 April, 1618, to the collector Sir Dudley Carleton; transl. from Italian, R. Saunders Magurn, The letters of Peter Paul Rubens, Cambridge Mass., 1955, p.60-61
Rubens is indicating in this letter to a good client the level of his personal involvement in several paintings which were offered then for sale. Rubens is specifying his involvement in a variety of degrees, in relation to the attribution by pupils or by other fellow-artists - like his cooperation in many paintings with Breughel, for instance
1605 - 1625