“The English are particularised for their partiality to strange sights; uncommon beasts, birds, or fishes, are sure to attract their notice, and especially such of them as are of the monstrous kind; and this propensity of our countrymen is neatly satirised by Shakspeare in the Tempest; where Stephano, seeing Calaban lying upon the stage, and being uncertain whether he was a fish, a beast, or one of the inhabitants of the island, speaks in the following manner: "Were I in England now, as once I was, and had this fish painted, not a holiday fool there but would give me a piece of silver. There would this monster make a man: any strange beast there makes a man. When they will not give a doit to relieve a lame beggar, they will lay out ten to see a dead Indian." Indeed, we may observe that a cow with two heads, a pig with six legs, or any other unnatural production, with proper management, are pretty certain fortunes to the possessors.”

"The Daring Young Man on the Flying Trapeze"
The Daring Young Man on the Flying Trapeze (1934)
Context: Then swiftly, neatly, with the grace of the young man on the trapeze, he was gone from his body.
For an eternal moment he was still all things at once: the bird, the fish, the rodent, the reptile, and man. An ocean of print undulated endlessly and darkly before him. The city burned. The herded crowd rioted. The earth circled away, and knowing that he did so, he turned his lost face to the empty sky and became dreamless, unalive, perfect.

The Pardon

The Last Navigator (1987)

For My Legionaries: The Iron Guard (1936), Nation and Culture

Interview: Sylvia Earle Undersea Explorer http://www.achievement.org/autodoc/printmember/ear0int-1, Academy of Achievement, January 27, 1991

Source: Committed: A Skeptic Makes Peace with Marriage

Source: Fiddler on the Roof