As quoted in "Sports of the Times: The Most Natural Ballplayer" https://news.google.com/newspapers?id=UVUcAAAAIBAJ&sjid=p1EEAAAAIBAJ&pg=6465%2C2456085&dq=who%27s-best-ever-aside-yourself-next-roberto by Dave Anderson, in The New York Times (January 24, 1979)
“When I came back [from a temporary stay in Paris] and heard you play with Charles Mingus, and when you and Cecil Taylor [also a free Jazz musician] opened up the 'Five Spot' in the Fall of 1956, I felt better about being in New York. All the musicians who create from the gut as well as their intellect can change things. People will never understand what we are doing if they can't feel... All art is abstract. All music is abstract. But it's all real... When you improvise, I can see the seeds of a symphony you could write. When I first heard Charlie Parker in Chicago, I could see he was a symphony.... we were all trying to bring that spirit, that spontaneous energy, into our work.”
talking to jazz-player David Anram in the jazz club the 'Five Spot', in 1956, she was visiting with Franz Kline
Quoted by David Anram in 'Introduction', in The Stamp of Impulse, Abstract expressionist prints, ed. David Acton, David Amram, David Lehman, Worcester Art Museum, 2001 p. 21
1950 - 1975
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Joan Mitchell 17
American painter 1925–1992Related quotes
Source: Writings, The Biblical Philosophy of History (1969), p. 89
On record industry, as quoted in "John McLaughlin: State of the Musical Arts", by The Snapshots Foundation; directed by Jonathan Bewley, YouTube, Jul 11, 2014 https://www.youtube.com/watch?v=utqp7ECKUl0
Source: 1960s, Interview with Henry Geldzahler', in 'Artforum', 1965, p. 36
"In Napa, “napalm girl” Kim Phuc shares story of suffering and forgiveness in Vietnam and beyond" in Napa Valley Register https://napavalleyregister.com/news/local/in-napa-napalm-girl-kim-phuc-shares-story-of-suffering-and-forgiveness-in-vietnam-and/article_4f9225b8-0938-5509-b69b-abe13479fd4d.html (24 February 2019)
Source: Player Piano (1952), Chapter 9 (p. 86)
Context: "You think I'm insane?" said Finnerty. Apparently he wanted more of a reaction than Paul had given him.
"You're still in touch. I guess that's the test."
"Barely — barely."
"A psychiatrist could help. There's a good man in Albany."
Finnerty shook his head. "He'd pull me back into the center, and I want to stay as close to the edge as I can without going over. Out on the edge you see all kinds of things you can't see from the center." He nodded, "Big, undreamed-of things — the people on the edge see them first."
As quoted in Hear Me Talkin' to Ya: The Story of Jazz As Told by the Men Who Made It (1955) edited by by Nat Shapiro and Nat Hentoff, p. 379