“When I came back [from a temporary stay in Paris] and heard you play with Charles Mingus, and when you and Cecil Taylor [also a free Jazz musician] opened up the 'Five Spot' in the Fall of 1956, I felt better about being in New York. All the musicians who create from the gut as well as their intellect can change things. People will never understand what we are doing if they can't feel... All art is abstract. All music is abstract. But it's all real... When you improvise, I can see the seeds of a symphony you could write. When I first heard Charlie Parker in Chicago, I could see he was a symphony.... we were all trying to bring that spirit, that spontaneous energy, into our work.”

talking to jazz-player David Anram in the jazz club the 'Five Spot', in 1956, she was visiting with Franz Kline
Quoted by David Anram in 'Introduction', in The Stamp of Impulse, Abstract expressionist prints, ed. David Acton, David Amram, David Lehman, Worcester Art Museum, 2001 p. 21
1950 - 1975

Adopted from Wikiquote. Last update June 3, 2021. History

Help us to complete the source, original and additional information

Do you have more details about the quote "When I came back [from a temporary stay in Paris] and heard you play with Charles Mingus, and when you and Cecil Taylor…" by Joan Mitchell?
Joan Mitchell photo
Joan Mitchell 17
American painter 1925–1992

Related quotes

Willie Mays photo

“You're not from New York, are you? You can't be from New York. Well, when I broke in, I didn't know many people by name so I would just say, "Say, hey," and the writers picked that up. The writers here in New York can make anything happen, so they made that happen.”

Willie Mays (1931) Baseball player

As quoted in "Sports of the Times: The Most Natural Ballplayer" https://news.google.com/newspapers?id=UVUcAAAAIBAJ&sjid=p1EEAAAAIBAJ&pg=6465%2C2456085&dq=who%27s-best-ever-aside-yourself-next-roberto by Dave Anderson, in The New York Times (January 24, 1979)

Rousas John Rushdoony photo
John McLaughlin photo
Robert A. Heinlein photo

“The more I prayed for my enemies, the softer my heart became. When I felt real forgiveness, my heart was set free. If I can do it, all of you can do it too.”

Phan Thi Kim Phuc (1963) Child depicted in the Pulitzer Prize-winning photograph taken during the Vietnam War on June 8, 1972

"In Napa, “napalm girl” Kim Phuc shares story of suffering and forgiveness in Vietnam and beyond" in Napa Valley Register https://napavalleyregister.com/news/local/in-napa-napalm-girl-kim-phuc-shares-story-of-suffering-and-forgiveness-in-vietnam-and/article_4f9225b8-0938-5509-b69b-abe13479fd4d.html (24 February 2019)

Joanna MacGregor photo
Kurt Vonnegut photo

“I want to stay as close to the edge as I can without going over. Out on the edge you see all kinds of things you can't see from the center.”

Source: Player Piano (1952), Chapter 9 (p. 86)
Context: "You think I'm insane?" said Finnerty. Apparently he wanted more of a reaction than Paul had given him.
"You're still in touch. I guess that's the test."
"Barely — barely."
"A psychiatrist could help. There's a good man in Albany."
Finnerty shook his head. "He'd pull me back into the center, and I want to stay as close to the edge as I can without going over. Out on the edge you see all kinds of things you can't see from the center." He nodded, "Big, undreamed-of things — the people on the edge see them first."

Charlie Parker photo

“Any musician who says he is playing better either on tea, the needle, or when he is juiced, is a plain, straight liar. When I get too much to drink, I can't even finger well, let alone play decent ideas. … You can miss the most important years of your life, the years of possible creation.”

Charlie Parker (1920–1955) American jazz saxophonist and composer

As quoted in Hear Me Talkin' to Ya: The Story of Jazz As Told by the Men Who Made It (1955) edited by by Nat Shapiro and Nat Hentoff, p. 379

Anna Sui photo

Related topics