John Donne book Elegy XIX: To His Mistress Going to Bed
No. 19, To His Mistress Going to Bed, line 33
Elegies
St. 3
To a Skylark (1821)
John Donne book Elegy XIX: To His Mistress Going to Bed
No. 19, To His Mistress Going to Bed, line 33
Elegies
“The joy of killing! the joy of seeing killing done - these are traits of the human race at large.”
Mark Twain (1835–1910) American author and humorist
Source: Following the Equator: A Journey Around the World
Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …
Source: 1980s, Laws of Media: The New Science (with Eric McLuhan) (1988), p. 47
Mao Zedong (1893–1976) Chairman of the Central Committee of the Communist Party of China
Whither China?
On New Democracy (1940)
Rabindranath Tagore (1861–1941) Bengali polymath
Sādhanā : The Realisation of Life http://www.spiritualbee.com/spiritual-book-by-tagore/ (1916) <br class="br">Context: That side of our existence whose direction is towards the infinite seeks not wealth, but freedom and joy. There the reign of necessity ceases, and there our function is not to get but to be. To be what? To be one with Brahma. For the region of the infinite is the region of unity. Therefore the Upanishads say: If man apprehends God he becomes true. Here it is becoming, it is not having more. Words do no gather bulk when you know their meaning; they become true by being one with the idea.
“Whose side are they on?' said Brocando.
'Sides? Their own, I suppose, just like everyone else.”
Terry Pratchett book The Carpet People
The Carpet People (1971; 1992)
“I feel that books, just like people, have a destiny. Some invite sorrow, others joy, some both.”
Elie Wiesel (1928–2016) writer, professor, political activist, Nobel Laureate, and Holocaust survivor
Filippo Tommaso Marinetti (1876–1944) Italian poet and editor, founder of the Futurist movement
1910
1900's
Source: 'Le Figaro', 20 February 1909, as quoted in Futurist Manifestos, ed. Umbro Appolonio, Thames and Hudson, London, 1973