“Roger: Oh! I think just having the opportunity to be on yet another major label again after being on Capitol in the late '90s and then going to an indie label and coming back.. and now we're on Warner Brothers. Just having those kind of oppurtunities is pretty awesome. Because there are bands that struggle their whole entire life time to just like you know.. "oh, we just want to be on the radio - we want to be on a major label. That's all we really want."”

“Roger: It's all right,, they seem to be backing the new record, and aside from the typical major label red tape - where it takes forever to get things done - I think Warner is still into the band.”

“If I allowed 'next $label' then I'd also have to allow 'goto $label', and I don't think you really want that…”

“Definitions are just words, just labels. And once you label something, the label gets between you and the thing.”

“Roger: I think it's different in the way of how they handle stuff. I don't think they were really trying to. They wouldn't want us on it if they didn't like our music, you know what I'm saying? They obviously want us to create what we create and then they do what they're going to do. It's more things like interviews and more videos and photo shoots.. things like that with a major label kind of brings to the table. Which I may or may not be into - but it's a cool chance.”

“We weren't really interested in those bands; we were—because we came out of this subterranean scene. And then Nirvana breaks big, and it's just diametrically opposite: we have, like, facial hair, and just, kind of, logger shirts, but we're all, like, "sensitive" and "feminine"—you know what I mean?”

“Just once in my life--oh, when have I ever wanted anything just once in my life?”

“Roger: Hmm.. I don't know. I like playing at home because sleeping at home after the show is a bonus. That's really nice. I'd have to say I really like playing Japan. There's just a different level of respect or something that goes on with the fans. They're just completely animalistic and going crazy during the show and then in between songs like as soon as a song stops, it's silent 'cause they want to hear what you have to say so they can try and understand what you're saying. It's really awesome - it's great. Even in the UK and London - places like that, fans are just rabid and go completely crazy and it's always fun. I'd have to say Tokyo and London are pretty awesome”

“Hello, we're major label corporate rock sell outs.”

“I want to be free Michael, just for once in my whole life I want to be free"

"You are free. You just don't know it yet”