“I regret I no longer have the years of youth needed to create a beautiful series of views of this place, which would in any case be rather difficult to paint due to the monuments, which require a good draughtsmanship and long stays in the city, like Ziem used to do in the past.”

— Eugène Boudin

Quote of Boudin from Venice, c. 1893-94; as cited in 'Venice, The Grand Canal', by Anne-Marie Bergeret-Gourbin https://www.museothyssen.org/en/collection/artists/boudin-eugene/venice-grand-canal, Museo Thyssen
1880s - 1890s

Adopted from Wikiquote. Last update June 3, 2021. History

Help us to complete the source, original and additional information

Do you have more details about the quote "I regret I no longer have the years of youth needed to create a beautiful series of views of this place, which would in…" by Eugène Boudin?

Eugène Boudin 20

French painter 1824–1898

Related quotes

“I have always been drawn to the beauty and the tragedy of Diana’s life which I hope I’ve captured in this new series of paintings. I wanted to show her”

Stella Vine (1969) English artist

Kallaway, Stella Vine's Latest Exhibition http://www.kallaway.co.uk/pdf/Stella-Vines-Latest-Exhibition.pdf Modern Art Oxford, (2007-07-14).
On her connection to Diana, Princess of Wales.

“.. [both of us (Schelfhout ànd J. C. Schotel)] make each a painting that together will form one view, as it were [view of Scheveningen by Schotel / view of The Hague by Schelfhout].... [but] our paintings together will therefore not become one integrated thing, but only pendants... I have taken my drawing from the steps of the Pavilion [in Scheveningen], viewed over the dunes to [the city] The Hague. In the foreground, which is very bare and empty in reality, I have placed some trees.”

Andreas Schelfhout (1787–1870) Dutch painter, etcher and lithographer

translation from original Dutch: Fons Heijnsbroek
(original Dutch, citaat van Schelfhout, uit zijn brief:) ..[dat wij beiden, (Schelfhout èn J.C. Schotel )] elk een schilderij te maaken het welk bijde als het ware één gezigt zoude uitmaken [uitzicht van Scheveningen door Schotel, èn uitzicht op het centrum van Den Haag door Schelfhout].. ..[maar] onze schilderijen zullen dus te zamen geen geheel uitmaken, maar slechts pandanten zijn.. .Ik heb de teekening genomen van het bordes of trap van het pavilloen [in Scheveningen] over de duinen naar Den Haag gezien. Op de voorgrond, die in de natuur zeer kaal en ledig is heb ik eenige bomen geplaatst..
In a letter to J.C. Schotel, 18 Nov. 1828; in: collective Stadsarchief van ErfgoedCentrum DIEP, Dordtrecht, No. 48-d
Schelfhout was referring to the assignment from the Dutch King Willem I for two paintings: one view over the old center of The Hague & one view over the beach of Scheveningen.

“I wanted an art that was faithful to itself [loyal] and would have nothing to do with the business of creating illusions. I dreamed of painting glasses from which no-one would ever think of drinking, beaches that would be quite unsuitable for bathing, nudes who would be definitively chaste. I wanted an art which in the first place would appear as a representation of the impossible.”

Jean Metzinger (1883–1956) French painter

Cubism was born

“I would rather have regrets of excess than regrets of denial.”

Jeanette Winterson (1959) English writer

“As far as that event is concerned, I would say it is a great tragedy, a monumental historical tragedy for which we deeply regret. We call upon the Government of India and the people of India to be magnanimous, to put the past behind and to approach the ethnic question in a different perspective.”

Rajiv Gandhi (1944–1991) sixth Prime Minister of India

Balasingham, in Tamil Tiger 'regret' over Gandhi (27 June 2006) http://news.bbc.co.uk/2/hi/south_asia/5122032.stm

“I do not design a machine which will give the ignorant in astronomy a just view of the solar system, but would rather astonish the skilful and curious observer by a most accurate correspondence between the situations and motions of our little representatives of our heavenly bodies and the situations and motions of those bodies themselves. I would have my orrery really useful by making it capable of informing us truly of the astronomical phenomena for any particular point of time, which I do not find that any orrery yet made can do.”

David Rittenhouse (1732–1796) American astronomer

Letter to Thomas Barton (Jan 28, 1767) as quoted by Florian Cajori, The Teaching and History of Mathematics in the United States (1890) p. 39.

“The basis of self-government and freedom requires the development of character and self-restraint and perseverance and the long view. And these are qualities which require many years of training and education.”

John F. Kennedy (1917–1963) 35th president of the United States of America

1961, Address at the University of Washington

“For example, Rothko and I came to an agreement on the question of the subject matter; if we were to do something which could develop in some direction other than the accepted directions of that time, it would be necessary to use different subjects to begin with, and 1942, we embarked on a series of paintings that attempted to use mythological subject matter, preferably from Greek mythology. I did a series of paintings on the theme of Oedipus and Rothko did a series of paintings on other Greek themes….. this offered a possibility of a way out [of a. o. Social Realism and Cubism ]”

Adolph Gottlieb (1903–1974) American artist

In an interview (March 1960) with David Sylvester, edited for broadcasting by the BBC first published in ‘Living Arts, June 1963; as quoted in Interviews with American Artists, by David Sylvester; Chatto & Windus, London 2001, p. 31
1960s

“Anyway, I would not be happy to see a beautiful, well-proportioned woman, no matter from which point of view, however extravagant, not only lose her beauty in order to, I would say, increase in size according to the law of vision, but no longer appear beautiful, and, in fact, become monstrous.”

El Greco (1541–1614) Greek painter, sculptor and architect

Quote from the marginalia, which El Greco inscribed in his copy of Daniele Barbaro's translation of Vitruvius' De architectura; as quoted by Liane Lefaivre and Alexander Tzonis, The Emergence of Modern Architecture: A Documentary History from 1000 to 1810 https://books.google.com/books?id=4xB9k7-Neb8C&pg=PT184; Routledge, New York, 2004) p. 165

“What I always longed to do was to be able to paint like I can draw, most artists would tell you that, they would all like to paint like they can draw.”

David Hockney (1937) British artist

From a series of interviews with Marco Livingstone (April 22 - May 7, 1980 and July 6 - 7, 1980) quoted in Livingstone's David Hockney (1981), p. 207
1980s

“I regret I no longer have the years of youth needed to create a beautiful series of views of this place, which would in any case be rather difficult to paint due to the monuments, which require a good draughtsmanship and long stays in the city, like Ziem used to do in the past.”

Help us to complete the source, original and additional information

Eugène Boudin 20

Related quotes

Related topics