“The smaller the world, the better I feel. When the reed is around me, evil has disappeared from the world. I really shall paint the reed next year, I've seriously decided. A small area of reeds with some water under. And then it will appear [on the canvas] exactly in the way it will make one quiet. I will paint it outdoors because I don't have any imagination - by the way, I would find myself very cheeky if I did. I have nothing to add, I have nothing in me and I believe I must be well aware of that because that is my limitation, as a consequence of my temporality.”

— Jopie Huisman

translation, Fons Heijnsbroek, 2018
version in original Dutch / citaat van Jopie Huisman, in het Nederlands: Hoe kleiner de wereld, hoe beter ik me voel. Het riet om mij heen, dan is het kwade de wereld uit. Volgend jaar zal ik dat riet schilderen, ik heb het mij heilig voorgenomen. Een stukje riet met een stukje water eronder. En dan komt het er precies zo op dat je er stil van wordt. Ik schilder het buiten, want fantasie heb ik niet en dat zou ik trouwens een grote brutaliteit van mijzelf vinden. Ik heb er niets aan toe te voegen, ik heb niets in mij en ik geloof dat ik dat mijzelf goed bewust moet zijn, want als gevolg van mijn tijdelijkheid is dat mijn beperktheid.
Source: Jopie Huisman', 1981, p. 118

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Jopie Huisman 14

Dutch painter 1922–2000

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translation from original Dutch, Fons Heijnsbroek, 2018
(version in original Dutch / origineel citaat van Anton Mauve, uit zijn brief:) Wat mijn werk betreft zit ik aan enige kleine schilderijtjes, een is mij besteld en die andere moet ik avonturen. Ik voel hoe langer hoe langs hoe meer dat ik zooveel studie te kort kom, als ik geld had schilderde ik in het eerste jaar geen schilderij en studeer ik [schetsen], maar enfin je moet eens door een zure appel heenbijten, het zal mij moeite genoeg kosten om te kunnen leven.
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The Mole, greatly wondering, obeyed. 'I hear nothing myself,' he said, 'but the wind playing in the reeds and rushes and osiers.

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