“Reflections on Wallace Stevens”, p. 134; conclusion
Poetry and the Age (1953)
Context: How necessary it is to think of the poet as somebody who has prepared himself to be visited by a dæmon, as a sort of accident-prone worker to whom poems happen — for otherwise we expect him to go on writing good poems, better poems, and this is the one thing you cannot expect even of good poets, much less of anybody else. Good painters in their sixties may produce good pictures as regularly as an orchard produces apples; but Planck is a great scientist because he made one discovery as a young man — and I can remember reading in a mathematician’s memoirs a sentence composedly recognizing the fact that, since the writer was now past forty, he was unlikely ever again to do any important creative work in mathematics. A man who is a good poet at forty may turn out to be a good poet at sixty; but he is more likely to have stopped writing poems, to be doing exercises in his own manner, or to have reverted to whatever commonplaces were popular when he was young. A good poet is someone who manages, in a lifetime of standing out in thunderstorms, to be struck by lightning five or six times; a dozen or two dozen times and he is great.
“He who creates three to five haiku poems during a lifetime is a haiku poet. He who attains to completes ten is a master.”
Matsuo Bashō, Collected Haiku Theory, eds. T. Komiya & S. Yokozawa, Iwanami, 1951 (Unknown translator)
Statements
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Bashō Matsuo 46
Japanese poet 1644–1694Related quotes
The Music of Poetry (24 February 1942) the third W. P. Ker memorial lecture delivered in the University of Glasgow
Lecture, "The Themes of Robert Frost" (1947)
Education (1902)
Context: He who knows naught of dreaming can, likewise, never attain the heights of power and possibility in persuading the mind to act.
He who dreams not creates not.
For vapor must arise in the air before the rain can fall.
The greatest man of action is he who is the greatest, and a life-long, dreamer. For in him the dreamer is fortified against destruction by a far-seeing eye, a virile mind, a strong will, a robust courage.
And so has perished the kindly dreamer — on the cross or in the garret.
A democracy should not let its dreamers perish. They are its life, its guaranty against decay.
Thus would I expand the sympathies of youth.
Thus would I liberate and discipline all the constructive faculties of the mind and encourage true insight, true expression, real individuality.
Thus would I concentrate the powers of will.
Thus would I shape character.
Thus would I make good citizens.
And thus would I lay the foundations for a generation of real architects — real, because true, men, and dreamers in action.
West-östlicher Diwan, motto (1819)
English translation originally from "Subramaniya Bharathi" at Tamilnation.org, also quoted in "Colliding worlds of tradition and revolution" in The Hindu (13 December 2009) http://www.thehindu.com/todays-paper/tp-features/tp-sundaymagazine/colliding-worlds-of-tradition-and-revolution/article662079.ece
The Secret of Efficient Expression (1911)
National Book Award Acceptance Speech (1957)
Context: When a poet is being a poet — that is, when he is writing or thinking about writing — he cannot be concerned with anything but the making of a poem. If the poem is to turn out well, the poet cannot have thought of whether it will be saleable, or of what its effect on the world should be; he cannot think of whether it will bring him honor, or advance a cause, or comfort someone in sorrow. All such considerations, whether silly or generous, would be merely intrusive; for, psychologically speaking, the end of writing is the poem itself.
“He that works and does some Poem, not he that merely says one, is worthy of the name of Poet.”
Introduction to Cromwell's Letters and Speeches (1845).
1840s