“Music was as natural as breathing in our house.”

—  Irene Dunne

Hats, Hunches And Happiness (1945)

Adopted from Wikiquote. Last update June 3, 2021. History

Help us to complete the source, original and additional information

Do you have more details about the quote "Music was as natural as breathing in our house." by Irene Dunne?
Irene Dunne photo
Irene Dunne 50
American actress 1898–1990

Related quotes

Stephen Chbosky photo

“I just listened to the music, and breathed in the day, and remembered things. Things like walking around the neighborhood and looking at the houses and the lawns and the colorful trees and having that be enough.”

Stephen Chbosky book The Perks of Being a Wallflower

Source: The Perks of Being a Wallflower

Anne Rice photo

“We breathe the light, we breathe the music, we breathe the moment as it passes through us.”

Anne Rice book The Vampire Lestat

Source: The Vampire Lestat

Ennio Morricone photo

“Music needs room to breathe.”

Ennio Morricone (1928–2020) Italian composer, orchestrator and conductor
Yehudi Menuhin photo

“There is… no definitive interpretation for him but the search for repose, for a place where music, far from any pretension, vibrates naturally, where it can breathe more than show off.”

Yehudi Menuhin (1916–1999) American violinist and conductor

Eric Taver in: About Yehudi Menuhin http://www.pbs.org/wnet/americanmasters/episodes/yehudi-menuhin/about-yehudi-menuhin/661/, Public Broadcasting Service Organization, 28 October 2006

Michael Chabon photo

“The whole house seemed to exhale a melancholy breath of emptiness”

Michael Chabon (1963) Novelist, short story writer, essayist
Jean Metzinger photo

“Instead of copying Nature, we [ Cubists ] create a 'milieu', of our own, wherein our sentiment can work itself out through a juxtaposition of colors. It is hard to explain it, but it may perhaps be illustrated by analogy of literature and music. Your [ Gelett Burgess is American] Edgar Poe did not attempt to reproduce Nature realistically. Some phase of life suggested an emotion, as that of horror in 'The Fall of the House of Ushur.”

Jean Metzinger (1883–1956) French painter

That subjective idea he translated into art. He made a composition of it.
Quote of Metzinger in 'The Wild Men of Paris', by Gelett Burgess https://monoskop.org/images/f/f3/Burgess_Gelett_1910_The_Wild_Men_of_Paris.pdf, in 'The Architectural Record, Vol XXVII, May 1910, p. 413

Harpo Marx photo

“Like the East Side tenement, our house was seldom without the sound of music or laughter or questions being asked or stories being told.”

Harpo Marx (1888–1964) American comedian

book, Harpo Speaks

Parker Palmer photo

“Our strongest gifts are usually those we are barely aware of possessing. They are a part of our God-given nature, with us from the moment we drew first breath, and we are no more conscious of having them than we are of breathing.”

Parker Palmer (1939) American theologian

Source: Let Your Life Speak: Listening for the Voice of Vocation (1999), p. 52

Felix Adler photo

“It is the nature of the noble and the good and the wise that they impart to us of their nobility and their goodness and their wisdom while they live, making it natural for us to breathe the air they breathe and giving us confidence in our own untested powers. And the same influence in more ethereal fashion they continue to exert after they are gone.”

Felix Adler (1851–1933) German American professor of political and social ethics, rationalist, and lecturer

Section 8 : Suffering and Consolation
Founding Address (1876), Life and Destiny (1913)

Béla Bartók photo

“Our peasant music, naturally, is invariably tonal, if not always in the sense that the inflexible major and minor system is tonal.”

Béla Bartók (1881–1945) Hungarian composer and pianist

"The Folk Songs of Hungary" in Pro Musica VII (October 1928)
Context: Our peasant music, naturally, is invariably tonal, if not always in the sense that the inflexible major and minor system is tonal. (An "atonal" folk-music, in my opinion, is unthinkable.) Since we depend upon a tonal basis of this kind in our creative work, it is quite self-evident that our works are quite pronouncedly tonal in type. I must admit, however, that there was a time when I thought I was approaching a species of twelve-tone music. Yet even in works of that period the absolute tonal foundation is unmistakable.

Related topics