Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …
Source: 1960s, Understanding Media (1964), p. 23
Source: 1980s, Laws of Media: The New Science (with Eric McLuhan) (1988), p. 15
Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …
Source: 1960s, Understanding Media (1964), p. 23
Theo van Doesburg (1883–1931) Dutch architect, painter, draughtsman and writer
Quote from Van Doesburg's article 'Elementarism as real art', in: 'Painting and plastic art' - Rome, July 1926, in De Stijl', series XIII, 1 75-6, 1926, pp. 35–43
1926 – 1931
John Rupert Firth (1890–1960) English linguist
Source: Speech, 1930, p. 182-183; As cited in: Angela Senis (2016: 293)
Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …
Source: 1960s, The Gutenberg Galaxy (1962), p. 21
Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …
Source: 1960s, The Gutenberg Galaxy (1962), p. 61
Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …
Source: 1960s, The Gutenberg Galaxy (1962), p. 56
Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …
Source: 1980s, Laws of Media: The New Science (with Eric McLuhan) (1988), p. 74
Albert Hofmann (1906–2008) Swiss chemist
Source: LSD : My Problem Child (1980), Ch. 1 : How LSD Originated
Context: Slowly I came back from a weird, unfamiliar world to reassuring everyday reality. The horror softened and gave way to a feeling of good fortune and gratitude, the more normal perceptions and thoughts returned, and I became more confident that the danger of insanity was conclusively past.
Now, little by little I could begin to enjoy the unprecedented colors and plays of shapes that persisted behind my closed eyes. Kaleidoscopic, fantastic images surged in on me, alternating, variegated, opening and then closing themselves in circles and spirals, exploding in colored fountains, rearranging and hybridizing themselves in constant flux. It was particularly remarkable how every acoustic perception, such as the sound of a door handle or a passing automobile, became transformed into optical perceptions. Every sound generated a vividly changing image, with its own consistent form and color.