“Suppose you went back to Ada Lovelace and asked her the difference between a script and a program. She'd probably look at you funny, then say something like: Well, a script is what you give the actors, but a program is what you give the audience. That Ada was one sharp lady…”

— Larry Wall

Public Talks, The State of the Onion 11

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American computer programmer and author, creator of Perl 1954

Richard Hamming (1915–1998) American mathematician and information theorist

The Art of Doing Science and Engineering: Learning to Learn (1991)

“We see only the script and not the paper on which the script is written. The paper is there, whether the script is on it or not. To those who look upon the script as real, you have to say that it is unreal--an illusion--since it rests upon paper. The wise person looks upon both paper and script as one.”

Ramana Maharshi (1879–1950) Indian religious leader

Abide as the Self

“I have become cautious. There is no fixed formula. Today audience's sensibilities are sharp. You can't feed them rubbish. They want to watch good films. The script has to be appealling. Even if it is larger than life, it has to be realistic. Audiences have to identify with what you are showing.”

Rani Mukerji (1978) Indian film actress

citation needed
Famous Quotes

“I for one believe that if you give people a thorough understanding of what confronts them and the basic causes that produce it, they'll create their own program, and when the people create a program, you get action.”

Malcolm X (1925–1965) American human rights activist

“You give her all your french fries, even when she won't give you back onion rings,' Sophie says. 'And when you say her name it sounds different.'

How?'

Sophie thinks. 'Like it's covered with blankets.”

Jodi Picoult (1966) Author

Source: Vanishing Acts

“You know how we built the pyramids? You gotta ask yourself a question always flip the script. What if up was down and down was up? What if you looked down into space standing up on Earth? This is how we built the pyramids.”

Eddie Griffin (1968) American actor and comedian

Freedom of Speech (2008)

“I like the fact that I'm involved in a career that gives me so many different mediums to perform in. The entertainment industry in the last 10 years has been so fragmented, from scripted programming to reality. There's work not just on TV and in film, but you know, on your cell phone, on the Internet. There's so many [venues] now, and each of them looking for quality content, that, you know, I'm just going with the flow. And I'm having fun with every wave.”

Ian Ziering (1964) American actor

'Sharknado's' Ian Ziering: 'Maybe This Is My Pulp Fiction Moment' http://www.hollywoodreporter.com/news/sharknados-ian-ziering-maybe-is-my-pulp-fiction-moment-584659 (July 12, 2013)

“You say that you can’t understand this script at all, but that is because the human heart itself is impossible to understand. If you focus on the impossibility of truly understanding human psychology and read the script one more time, I think you will grasp the point of it.”

Akira Kurosawa (1910–1998) Japanese film maker

Criterion Collection essay on Rashamon, excerpted from Something Like an Autobiography as translated by Audie E. Bock (1982) http://www.criterion.com/current/posts/196-akira-kurosawa-on-rashomon
Context: Human beings are unable to be honest with themselves about themselves. They cannot talk about themselves without embellishing. This script portrays such human beings — the kind who cannot survive without lies to make them feel they are better people than they really are. It even shows this sinful need for flattering falsehood going beyond the grave — even the character who dies cannot give up his lies when he speaks to the living through a medium. Egoism is a sin the human being carries with him from birth; it is the most difficult to redeem. This film is like a strange picture scroll that is unrolled and displayed by the ego. You say that you can’t understand this script at all, but that is because the human heart itself is impossible to understand. If you focus on the impossibility of truly understanding human psychology and read the script one more time, I think you will grasp the point of it.

“Ask nothing; want nothing in return. Give what you have to give; it will come back to you, but do not think of that now.”

Swami Vivekananda (1863–1902) Indian Hindu monk and phylosopher

“You want me to give her a key?" the guy asked.
"I want you to give her a possibility," she told him, looking at my necklace again. "And that's what a key represents. An open door, a chance. You know?”

Sarah Dessen Lock and Key

Source: Lock and Key

“Suppose you went back to Ada Lovelace and asked her the difference between a script and a program. She'd probably look at you funny, then say something like: Well, a script is what you give the actors, but a program is what you give the audience. That Ada was one sharp lady…”

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