“The rhythmic pattern of the poem, which forces continuity of attention – incites a pleasurable compulsion to ‘follow’ – is either a tried metrical suasion-contrivance or a specially invented pattern of physical insistences, equally, if not more, binding in its effect on the reader. From a straight linguistic point of view, there is room for wonder if there is not latent vice in this environment in which pleasurable physically-compelled responses, produced by incidents of poetic utterance, are identified with the Good.”

— Laura Riding Jackson

"The Promise of Words" in London Review of Books, Vol. 17, No. 17, p. 23

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Laura Riding Jackson 42

poet, critic, novelist, essayist and short story writer 1901–1991

James W. Prescott (1930) American psychologist

"Body Pleasure and the Origins of Violence" (1975)

“Perceptual space is not a special space in addition to physical space, but physical space which we endow with a special subjective metric. …apart from the definition of congruence in physics and that based on perception, there is no third one derived from pure visualization. Any such third definition is nothing but the definition of physical congruence to which our normative function has adjusted the subjective experience of congruence.”

Hans Reichenbach (1891–1953) American philosopher

The Philosophy of Space and Time (1928, tr. 1957)

“It appears that the beneficial effects of infant physical affection can be negated by the repression of physical pleasure (premarital sex) later in life.”

James W. Prescott (1930) American psychologist

"Body Pleasure and the Origins of Violence" (1975)

“Body pleasure is very different from promiscuity, which reflects a basic inability to experience pleasure. If a sexual relationship is not pleasurable, the individual looks for another partner. …Affectionately shared physical pleasure… tends to stabalize a relationship and eliminate the search.”

James W. Prescott (1930) American psychologist

"Body Pleasure and the Origins of Violence" (1975)

“In this book we turn to the study of new patterns of energy arising from man’s physical and psychic artifacts and social organizations. The only method for perceiving process and pattern is by inventory of effects obtained by the comparison and contrast of developing situations.”

Marshall McLuhan (1911–1980) Canadian educator, philosopher, and scholar-- a professor of English literature, a literary critic, and a …

Source: 1970s, Take Today : The Executive as Dropout (1972), p. 8

“Developing prayer fitness is similar to developing physical fitness: we must follow a pattern in order to stay balanced.”

Bill Hybels (1951) American writer

Too Busy Not to Pray (2008, InterVarsity Press)

“The basic pleasure in the phonetic elements of a language and in the style of their patterns, and then in a higher dimension, pleasure in the association of these word-forms with meanings, is of fundamental importance. This pleasure is quite distinct from the practical knowledge of a language, and not the same as an analytic understanding of its structure. It is simpler, deeper-rooted, and yet more immediate than the enjoyment of literature.”

John Ronald Reuel Tolkien (1892–1973) British philologist and author, creator of classic fantasy works

English and Welsh (1955)

“There is a pleasure in poetic pains
Which only poets know.”

William Cowper The Task

Source: The Task (1785), Book II, The Timepiece, Line 285.

“In the preceding section attention was called to the fact that every point p of the straight line produces a separation of the same into two portions such that every point of one portion lies to the left of every point of the other. I find the essence of continuity in the converse, i. e., in the following principle:
"If all points of the straight line fall into two classes such that every point of the first class lies to the left of every point of the second class, then there exists one and only one point which produces this division of all points into two classes, this severing of the straight line into two portions."
…every one will at once grant the truth of this statement; the majority of my readers will be very much disappointed in learning that by this commonplace remark the secret of continuity is to be revealed.”

Richard Dedekind (1831–1916) German mathematician

Stetigkeit und irrationale Zahlen (1872)

“Ustad Bismillah Khan’s specialization lies in his ability to produce intricate sound patterns on the Shehnai, which was hitherto, considered impossible on this instrument.”

Bismillah Khan (1916–2006) Indian musician

Raj Kumar in [Kumar, Raj, Essays on Indian Music, http://books.google.com/books?id=wwwX6DWfn3gC&pg=PA205, 1 January 2003, Discovery Publishing House, 978-81-7141-719-3, 205–]

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