“For a mother the project of raising a boy is the most fulfilling project she can hope for. She can watch him, as a child, play the games she was not allowed to play; she can invest in him her ideas, aspirations, ambitions, and values — or whatever she has left of them; she can watch her son, who came from her flesh and whose life was sustained by her work and devotion, embody her in the world. So while the project of raising a boy is fraught with ambivalence and leads inevitably to bitterness, it is the only project that allows a woman to be — to be through her son, to live through her son.”

“He was a boy, she was girl. Can I make it any more obvious? He was a punk; she did ballet. What more can I say? He wanted her, she'd never tell secretly she wanted him as well. All of her friends stuck up their nose, they had a problem with his baggy clothes. He was a skater boy. She said: 'see you later, boy'. He wasn't good enough for her. She had a pretty face, but her head was up in space. She needed to come back down to Earth!”

“I love the way she projects two facets: a visible persona and a subterranean one. She keeps her thoughts to herself; she seems to suggest that her secret, inner life is at least as significant as the appearance she gives.”

“Sometimes a woman's love of being loved gets the better of her conscience, and though she is agonized at the thought of treating a man cruelly, she encourages him to love her while she doesn't love him at all. Then, when she sees him suffering, her remorse sets in, and she does what she can to repair the wrong.”

“She can kill with a smile
She can wound with her eyes
She can ruin your faith with her casual lies
And she only reveals what she wants you to see
She hides like a child
But she's always a woman to me.”

“Mariam always held her breath as she watched him go. She held her breath and, in her head, counted seconds. She pretended that for each second that she didn't breathe God would grant her another day with Jalil.”

“In the center sits Mary, with her crown on her head and her son in her lap, enthroned, receiving the homage of heaven and earth; of all time, ancient and modern; of all thought, Christian and Pagan; of all men, and all women; including if you please, your homage and mine, which she receives without question, as her due; which she cannot be said to claim, because she is above making claims; she is empress. Her left hand bore a sceptre; her right supported the child, who looks directly forward, repeating the mother's attitude, and raises his right hand to bless, while his left rests on the orb of empire. She and her child are one.”

“Thus far woman has struggled through life with bandaged eyes, accepting the dogma of her weakness and inability to take care of herself not only physically but intellectually. She has held out a trembling hand and received gratefully the proffered aid. She has foregone her right to study, to know the laws and purposes of government to which she is subject. But there is now awakened in her a consciousness that she is defrauded of her legitimate Rights and that she never can fulfill her mission until she is placed in that position to which she feels herself called by the divinity within. Hitherto she has surrendered her person and her individuality to man, but she can no longer do this and not feel that she is outraging her nature and her God.”

“America has many glories. The last one that she would wish to surrender is the glory of the men who have served her in war. While such devotion lives, the nation is secure. Whatever dangers may threaten from within or without, she can view them calmly. Turning to her veterans, she can say: 'These are our defenders. They are invincible. In them is our safety.”

“Marie falls back upon her idea, obdurately, and says, "A woman only lives by love and for love. When she's no longer good for that she's no longer anything."
She repeats, "You see — I'm nothing any more."
Ah, she is at the bottom of her abyss! She is at the extremity of a woman's mourning! She is not thinking only of me. Her thought is higher and vaster. She is thinking of all the woman she is, of all that love is, of all possible things when she says, "I'm no longer anything." And I — I am only he who is present with her just now, and no help whatever is left her to look for from any one.
I should like to pacify and console this woman who is gentleness and simplicity and who is sinking there while she lightly touches me with her presence — but exactly because she is there I cannot lie to her, I can do nothing against her grief, her perfect, infallible grief.
"Ah!" she cries, "if we came to life again!"”