Quote from Boudin's letter, 1882; as cited in the article 'Artists around Monet http://www.muma-lehavre.fr/en/exhibitions/impressions-sun/artists-around-monet, Muma-museum, Le Havre
1880s - 1890s
“In October 1945 I returned from America, where I had stayed during the war. I arrived in Le Havre, full of ruins, a carcass of a city. It took one night to reach Paris on a train with no windows. That night I got the idea for the monument. I sketched it on paper and forgot about it, until I visited Rotterdam for the first time in 1947. I saw a city without a heart. I saw a crater in the body of a city. And I remembered that night, the sketches. I made a small terracotta model and sent it to an exhibition of French art in Germany.”
Quote of Zadkine from interview in 'Het Vrije Volk', (Dutch newspaper), 4 July 1950; as cited in 'Unveiling of the Dutch City https://www.wederopbouwrotterdam.nl/en/tijdlijn/unveiling-of-the-destroyed-city/
Ossip Zadkine explained in 1950 the genesis of his large bronze sculpture 'Destroyed City', commissioned by the city Rotterdam
1940 - 1960
Help us to complete the source, original and additional information
Ossip Zadkine 31
French sculptor 1890–1967Related quotes
“I have many ideas for lights. I will paint only lights at night. [on the twinkling city-lights]”
Quote from Tobey's letter to the cubist painter Feininger, 1955
1950's
New Scientist interview (2004)
Context: There is nothing more to this than a simple iterative formula. It is so simple that most children can program their home computers to produce the Mandelbrot set. … Its astounding complication was completely out of proportion with what I was expecting. Here is the curious thing: the first night I saw the set, it was just wild. The second night, I became used to it. After a few nights, I became familiar with it. It was as if somehow I had seen it before. Of course I hadn't. No one had seen it. No one had described it. The fact that a certain aspect of its mathematical nature remains mysterious, despite hundreds of brilliant people working on it, is the icing on the cake to me.
version in original Dutch (citaat van Breitner's brief, in het Nederlands:) Gisteren was ik nog even in Rotterdam.. ..'t is toch een mooie stad. Altijd woelig, smerig en schilderachtig, vooral de vest en de havenbuurten, voor 't nieuwe gedeelte geef ik geen duit.
Quote from Breitner's letter to A. P. van Stolk, The Hague, 8 Febr. 1882; as cited in Breitner en Parijs' – master-thesis 9928758 https://dspace.library.uu.nl/handle/1874/8382], by Jacobine Wieringa, Faculty of Humanities Theses, Utrecht, (translation from the original Dutch, Fons Heijnsbroek), p. 10
before 1890
"Musical Autobiography" (1950); cited from Ursula Vaughan Williams RVW (1964) p. 30.
Source: Jean-Francois Millet – Peasant and Painter, 1881, p. 46-49
The Making of Schindler's List
"Subhanallah, Alhamdulillah and Insha Allah"
A Picnic of Poems in Allah's Green Garden (2011)
1980s, Second term of office (1985–1989), Farewell Address (1989)