
Spirit has arrived at the age of maturity...
Quote in 'Comments on the basic of concrete painting', Paris, January 1930, in 'Art Concret', April 1930, pp. 2–4
1926 – 1931
1945 - 1970, A Report on the Wall' 1970
Spirit has arrived at the age of maturity...
Quote in 'Comments on the basic of concrete painting', Paris, January 1930, in 'Art Concret', April 1930, pp. 2–4
1926 – 1931
Paul Klee, quote from 'Diaries III', 1917; as quoted in 'Klee & Kandinsky', 2015 exhibition text, Lenbachhaus und Kunstbau Munich, 2015-2016 https://www.zpk.org/en/exhibitions/review_0/2015/klee-kandinsky-969.html
1916 - 1920
Methods of Mathematics Applied to Calculus, Probability, and Statistics (1985)
“It is not possible to foretell the reaction of certain elements in the Army and Navy.”
Quoted in "The Decision to Drop the Atomic Bomb" - Page 107 - by Dennis Wainstock - History - 1996.
Letter from Peking (Summer 1940), quoted in The Last European War : September 1939/December 1941 (1976) by John Lukacs, p. 515
Context: Personally, I stick to my idea that we are watching the birth, more than the death, of a World. The scandal for you, is that England and France should have come to this tragedy because they have sincerely tried the road of peace. But did they not precisely make a mistake on the true meaning of "peace"? Peace cannot mean anything but a HIGHER PROCESS OF CONQUEST. … The world is bound to belong to its most active elements. … Just now, the Germans deserve to win because, however bad or mixed is their spirit, they have more spirit than the rest of the world. It is easy to criticize and despise the fifth column. But no spiritual aims or energy will ever succeed, or even deserve to succeed, unless it is able to spread and keep spreading a fifth column.
Creative spirit becomes concrete.
Quote on 'Concrete art', in: 'Comments on the basic of concrete painting', Paris, January 1930; 'Art Concret', April 1930, pp. 2–4
1926 – 1931
“Objectivism and the State: An Open Letter to Ayn Rand,” 1969
quoted in 'Abstract Art', Anna Moszynska, Thames and Hudson 1990, p. 107
Hans Arp used some years earlier already this new term: 'concrete art' as a rejection of the term 'abstract art'
1920 – 1926
Source: The Ideological Origins of the American Revolution (1967), Chapter IV, THE LOGIC OF REBELLION, p. 132.