“The next thing I know, I'm on the set of the movie Magic Mike. The movie is directed by a director named Steven Soderbergh, who's an amazing, amazing director, he's done a lot of great films. And, of course, Channing Tatum's in the movie. In addition, there's an actor by the name of Matthew McConaughey, who's attached to the movie. [Several audience members cheer] I'm a huge fan of Matthew McConaughey, okay? When I found out that I was gonna work with him, I was so excited, you know? People ask me, "Really, you get star-struck?" Hell yeah! I'm a comedian, not an actor. So, I show up, and, immediately, they send me to the makeup trailer that's outside. So, I go into the makeup trailer, I sit down, they start working on my hair, they start putting makeup on me, and in comes Matthew McConaughey, and he sits down on the chair right next to me. And I start freaking out, "Oh, my God, that's Matthew McConaughey!" [Stutters excitedly] And, now, I decide to introduce myself before I did or said something stupid, right? So, I look over to him, and I say, "Excuse me, Mr. McConaughey? How are you doing? My name's Gabriel Iglesias, I'm going to be playing the role of Tobias, the club DJ, and I just wanted to say Hello, and that it's an honor to work with you." And, in my head, I'm thinking, "I hope he's the same guy. I hope he's the same person in the movies, I hope his voice is the same, I hope his accent's the same." And he turns to me, and he says, [Imitating Matthew McConaughey] "All riiight." [Audience cheers] "How you doin' there, big man? You doin' good?" "I'm doing good." "All riiight."”

— Gabriel Iglesias

And, I'm spazzing out. [Gives excited gibberish]
Aloha, Fluffy (2013)

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Gabriel Iglesias 13

American actor 1976

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“So, I come home, I was so tired, and I look at my phone to check my messages, and I had a voicemail message from a guy by the name of Channing Tatum. [Female audience members cheer and woop] Now, for those of you not "woo"-ing, let me explain who that is. Channing Tatum is the new Hollywood hot guy, he's doing all these movies, coming out really good-looking, ripped, you know. He's making a lot of films, and there's a voicemail on there from him. "Gabriel Iglesias, this is Channing Tatum, call me at your earliest convenience…" blah-blah-blah. So, I was like, "Well, okay." So, I call him. [Mimics dialing on phone and ringing] "Hello?" "Hi, this is Gabriel Iglesias calling for Mr. Channing Tatum?" He yells, "FLUFFY!" [Mimes pulling his phone away in surprise] "…Hello?" "Oh, dude, man, I'm a huge fan. Hey, listen, real quick, I only have, like, a minute. Look, bro, I'm doing a new movie, and I was wondering if you'd be interested in reading and auditioning for one of the parts." I said, "Sure, bro, I'd be happy to audition for…for your movie. What's it called?" He goes, "The movie's called Magic Mike." [Female audience members woop loudly] I was like, "Oh, cool, Magic Mike. So, you need a magician, you need an assistant, you gonna saw me in half, what's gonna happen?" "Actually, bro. The movie has nothing to do with magic. It's actually a movie about male strippers." I said, "Male strippers?" He goes, "Yeah, male strippers."”

Gabriel Iglesias (1976) American actor

I said, "You do know that this is Gabriel Iglesias, right?"
Aloha, Fluffy (2013)

“I don't want to go to another roller-coaster ride of a movie. If I want that, I'll go to Magic Mountain. I'm really interested in the young directors that are doing different things in cinema. I think the movies people will hold onto are the Rushmores and the Being John Malkoviches. Those are the kind of films I want to do; that's what I'm passionate about.”

Zooey Deschanel (1980) American actress, musician, and singer-songwriter

Mean magazine http://www.fedge.net/~zdeschanel/articles/index.html (April 2001).

“I started making movies when I was 20. I started playing piano when I was about 3 years old, so I'm probably a musician first. But when I'm working on a movie, as an actor, I'm an actor - 100 percent. And when I'm on tour, I'm a musician 100 percent.”

Harry Connick, Jr. (1967) American singer, conductor, pianist, actor, and composer

The Costco Connection magazine interview, February 2007 http://www.costcoconnection.com/connection/200702/?pg=30

“Among today's directors I'm of course impressed by Steven Spielberg and Scorsese, and Coppola, even if he seems to have ceased making films, and Steven Soderbergh — they all have something to say, they're passionate, they have an idealistic attitude to the filmmaking process. Soderbergh's Traffic is amazing. Another great couple of examples of the strength of American cinema is American Beauty and Magnolia.”

Ingmar Bergman (1918–2007) Swedish filmmaker

Jan Aghed interview (2002)

“I saw Stay as You Are and Tess only. I didn't ask her if she saw every movie I did. I could never think about that. Why do I have to see every movie she did? Why? Sometimes she did movies with people I was bored by. I don't care about this or that director. So if she is so beautiful in a movie, it is because of her, not a director. So why should I see the movie then? As long as I am not blind, I don't need a dog to see. If I am blind, maybe I would like the dog to lead me. I am not blind. I don't have to see her movies. I know my child.”

Klaus Kinski (1926–1991) German actor

On his daughter, Nastassja, as quoted in Denise Worrell (1989), Icons: Intimate Portraits.

“Kubrick wasn’t making a movie when I was working with him. He was preparing to make a movie, which is something quite different. Part of the charm of working with a director like Kubrick, if there is or was a director like him, was that during the privileged period before he even showed (the script) to the studio, it was just between him and me. You are sort of creating a game in the ball court of theory. There is no film being shot; there is no budget. It was in many ways a very exciting time. It’s also very fraught, particularly for a writer, because you don’t know if it’s going to be of any point.”

Frederic Raphael (1931) British writer

Of Eyes Wide Shut
Interview, http://www.tipjar.com/dan/raphael.htm

“When I was 5 or 6, I already was telling people, I want to be a movie star. I was already a movie fan, though at the time I thought the actors were actually behind the screen. As a boy, my dream was just to be a movie star; later, I wanted to be an actor.”

Earl Holliman (1928) American actor

"Earl Holliman: actor with desire for variety" (1973)

“I'm not the kind of actor to worry. Certain actors can't translate to the big screen, so I'm glad I can do both. If 60% of an audience know your name, a lot more will know your face. I have a name which has a certain level of recognition now, which also means producers and directors know me, and are able to recognise the range of things that I can do.”

Robert Davi (1953) American actor and jazz singer

Robert Davi Interview http://hereward.org.uk/index.php/reviews/39-interviews-v15-39/245-robert-davi-v15-24 (February 22, 2008)

“I have always hoped that Asian movies can enjoy better development and can enjoy a better position in relation to the rest of the world. I'm sure this is the hope and goal of all movie directors in Asia.”

Zhang Yimou (1950) Chinese actor, film director, screenwriter and film producer

"Zhang Yimou TalkAsia Interview Transcript" in CNN http://edition.cnn.com/2005/WORLD/asiapcf/05/31/talkasia.zhang.script/ (14 May 2005)

“I still don't look at movies twice. It's funny, I just feel I got it the first time. With music it's different. People respond so differently to the whole issue of seeing a movie many times. I'm astonished when I talk to really good critics, who know their stuff and will see a film eight or ten or twelve times. I don't see how they can do it without hating the movie. I would.”

Pauline Kael (1919–2001) American film critic

"The Perils of Being Pauline," interview with Francis Davis, The New Yorker (October 2001).
Interviews

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