A Conversation With Neal Stephenson http://www.sfsite.com/10b/ns67.htm
Source: Vehicles: Experiments in Synthetic Psychology (1984), p. 1
The Twilight Zone, "The Fugitive" (1962).
The Twilight Zone
“Just because it's fiction doesn't mean it's any less true.”
Source: Between the Lines
As quoted in The Making of Kubrick's 2001 (1970) by Jerome Agel, p. 300
1970s
Context: One of the biggest roles of science fiction is to prepare people to accept the future without pain and to encourage a flexibility of mind. Politicians should read science fiction, not westerns and detective stories. Two-thirds of 2001 is realistic — hardware and technology — to establish background for the metaphysical, philosophical, and religious meanings later.
Room 101 (2001) Season 6 Episode 10
2000s
Context: The key word for me (my spleen isn't really big enough to explode with all the splenetic juices of fury that drive me when I consider this), but the real key word that triggers my rage is the word 'energy', when people start talking about it in terms of negative or positive types. For instance, "there's very negative energy in here." What are you talking about? What do you mean? I mean, let's think about it. What does energy mean? Well, we know what it means: energy from petrol when it's burned, it moves the car. "This room has positive energy" — well, where the fuck's it going then? It's not moving. It's covering up such woolly thinking, such pathetic nonsense. And astrology: most people will say of astrology, "Well, it's harmless fun." And I should say that for 80% of the cases it probably is harmless fun, but there's a strong way in which it isn't harmless. One, because it is so anti-science. You will hear things like, "Science doesn't know everything." Well, of course science doesn't know everything. But because science doesn't know everything, that doesn't mean science knows nothing. Science knows enough for us to be watched by a few million people now on television, for these lights to be working, for quite extraordinary miracles to have taken place in terms of the harnessing of the physical world and our dim approaches towards understanding it. And as Wittgenstein quite rightly said, "When we understand every single secret of the universe, there will still be left the eternal mystery of the human heart."
"The Imagination of Disaster" from Against Interpretation and Other Essays (1966), p. 212
Against Interpretation and Other Essays (1966)
The Paris Review interview (2010)
Context: I often use the metaphor of Perseus and the head of Medusa when I speak of science fiction. Instead of looking into the face of truth, you look over your shoulder into the bronze surface of a reflecting shield. Then you reach back with your sword and cut off the head of Medusa. Science fiction pretends to look into the future but it’s really looking at a reflection of what is already in front of us.
