
Source: An Interview with Leon Theremin http://www.oddmusic.com/theremin/theremin_interview_1.html / Olivia Mattis and Leon Theremin in Bourges, France 16 June 1989.
Source: An Interview with Leon Theremin http://www.oddmusic.com/theremin/theremin_interview_1.html / Olivia Mattis and Leon Theremin in Bourges, France 16 June 1989.
Source: An Interview with Leon Theremin http://www.oddmusic.com/theremin/theremin_interview_1.html / Olivia Mattis and Leon Theremin in Bourges, France 16 June 1989.
Quote of John Cage, in: 'The Future of Music: Credo' (1937); SILENCE 3-4
1930s
Quoted in Classic Essays on Twentieth-Century Music, ISBN 0028645812.
Laszlo (1992) "Information Technology and Social Change: An Evolutionary Systems Analysis". Behavioral Science 37: pp.237-249; As cited in: K.L. Dennis (2003, p. 36).
The way we use these sources is the key in order to define the required musical result. Without neglecting the acoustic conventional instruments, I spend a fair amount of time dealing with the electronic sources of sound. But please do not think computers! Computers are extremely helpful and amazing for a multitude of scientific areas, but for me, when it comes to creation, they are insufficient and slow. Therefore all of my efforts are to stay away from that beast".
2012
Speech http://hansard.millbanksystems.com/commons/1935/dec/10/debate-on-the-address in the House of Commons (10 December 1935) on the Abyssinian crisis.
1935
Electronic Musician magazine, December 1986
Interviews
Blue Like Jazz (2003, Nelson Books)
Life in the Industry: A Musician's Diary