“Just as towers and crenellations indicated a building’s status, so the crenellated wall signified a castle in the visual arts and in that distinctive medieval sign language known as heraldry. The heraldic symbol of the kingdom of Castile, for example, consisted of a wall and three crenellated towers. This simple composition was easily recognized and reproduced.”

—  Marilyn Stokstad

Source: Medieval castles (2005), Ch. 4 : The Castle as Symbol and Palace

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Marilyn Stokstad 27
art historian 1929–2016

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“At the end of the Middle Ages, castles began to lose their military func tion, but not their psychological impact as a symbol of authority. Gun powder and cannons supported armies of mercenary troops, and the garrison forts built to house them adopted the crenellated walls of private aristocratic castles. By the sixteenth century, professional soldiers lived in barracks, a few officers and the governor had finer quarters, and kings and nobles merely directed the operations from distant palaces where battle ments had become purely symbolic decoration. The Battle of Crecy be tween France and England in 1346 is traditionally considered to be the first use of cannons on the battlefield. At first the noise and smoke cre ated by the explosion terrified horses and men, and wreaked more havoc than the projectiles. Early cannons could be more dangerous for the gun ners than for the enemy, but military engineers rapidly developed the weapons’ power and accuracy. A castle’s high walls and towers made easy targets for gunners whose power and accuracy reduced once formidable medieval buildings to rubble. Mining became more successful because the attackers could put explosives under the walls.”

Marilyn Stokstad (1929–2016) art historian

Source: Medieval castles (2005), Ch. 5 : Impact and Consequences : The Afterlife of the Castle

“As castle design evolved, the great tower was eventually replaced by walled enclosures, which permitted more effective use of troops and better living conditions. The future of castle design lay with the curtain wall, that is, a wall “hung” like a curtain between towers, each of which functioned like a keep.”

Marilyn Stokstad (1929–2016) art historian

Source: Medieval castles (2005), Ch. 1 : The Great Tower : Norman and Early Plantagenet Castles

“Chateau Gaillard had utilized the last of the newly built, huge great towers, and Rochester had depended on its early twelfth-century tower. During the course of the thirteenth century defense shifted to a towered wall, the enceinte or enclosure castle. Two plans emerged: the castle could rely on a series of courtyards, which had to be taken one after another, or on a concentric defense in which a second wall entirely surrounded the inner wall.”

Marilyn Stokstad (1929–2016) art historian

Source: Medieval castles (2005), Ch. 2 : The Castle as Fortress : The Castle and Siege Warfare

“A motte and bailey castle consists of a man-made hill (the motte) supporting a tower and a walled yard (the bailey). (…) Early castle builders looked for a natural hill on which to erect a timber tower, but since a hill might not be available where fortifications were needed, they raised a flat-topped, conical earthen mound by digging a circular trench or ditch the desired diameter and heaping up the dirt in the center.”

Marilyn Stokstad (1929–2016) art historian

Source: Medieval castles (2005), Ch. 1 : The Great Tower : Norman and Early Plantagenet Castles

“By the time Henry II Plantagenet (r. 1154–89) was crowned king of England in 1154, baronial castles outnumbered royal castles. A tough, dynamic ruler, Henry began to rectify the situation at once. In the north, King Malcolm of Scotland surrendered to him, giving Henry significant castles in Scotland and in the border territory. Many older castles like Windsor were strengthened. At Dover the masonry great tower and fore building were built in the 1180s, and concentric walls with half-round towers were added by Richard the Lion Hearted seventeen years later.”

Marilyn Stokstad (1929–2016) art historian

Source: Medieval castles (2005), Ch. 1 : The Great Tower : Norman and Early Plantagenet Castles

Vitruvius photo

“The system of fortification by wall and towers may be made safest by the addition of earthen ramparts.”

Vitruvius book De architectura

Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book I, Chapter V, Sec. 5

“When a strong central authority protects borders and reduces internal crime, people have little need for fortified dwellings, although the rulers may build walls and towers to define legitimate residents and defend the country against external threats. When central authority breaks down, however, individuals are more likely to fortify their homes. The presence of castles in the landscape indicates a decline in stability and peace.”

Marilyn Stokstad (1929–2016) art historian

Overview: Castles in Context
Medieval castles (2005)

“Stone towers appeared early in the Loire River valley. The massive ruin at Langeais, recently dated 992, was once a broad tower with four corner turrets. Today it stands in the park of a fifteenth-century chateau. Not far off, at Loches, the tower is the earliest surviving great tower to combine within its walls a hall, the lord’s chamber, and a chapel. Recent analysis of the wood used in the original building has dated this tower between 1012 and 1035.”

Marilyn Stokstad (1929–2016) art historian

Source: Medieval castles (2005), Ch. 1 : The Great Tower : Norman and Early Plantagenet Castles

“The castle was far more than a walled and turreted fortress; it was an instrument of social control and the symbol of power, authority, and wealth.”

Marilyn Stokstad (1929–2016) art historian

Preface
Medieval castles (2005)

Mary E. Pearson photo

“The rules of reason build towers that reach past the treetops. The rules of trust build towers that reach past the stars.”

Mary E. Pearson (1955) young-adult fiction writer

Source: The Heart of Betrayal

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