OSCON 2002
Context: Now, here's the thing you've got to remember. You've got to see this. This is the point. (And Jack Valenti misses this.) Here's the point: Never has it been more controlled ever. Take the addition, the changes, the copyrights turn, take the changes to copyrights scope, put it against the background of an extraordinarily concentrated structure of media, and you produce the fact that never in our history have fewer people controlled more of the evolution of our culture. Never.
“There has never been a time in history when more of our "culture" was as "owned" as it is now. And yet there has never been a time when the concentration of power to control the uses of culture has been as unquestioningly accepted as it is now.”
Free Culture (2004)
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Lawrence Lessig 71
American academic, political activist. 1961Related quotes
Foreword to America and the image of Europe: Reflections on American Thought, Meridian Books, 1960, as cited in: Robert Andrews (1993) The Columbia Dictionary of Quotations https://books.google.com/books?id=4cl5c4T9LWkC&lpg=PA207&dq=Our%20attitude%20toward%20our%20own%20culture%20has%20recently%20been%20characterized%20by%20two%20qualities%2C%20braggadocio%20and%20petulance.&pg=PA207#v=onepage&q&f=false, Columbia University Press, p. 207.
Source: 1960s, The Gutenberg Galaxy (1962), p. 86
“Never before has the boundary between geek culture and mainstream culture been so porous.”
Noam, Cohen, The New York Times, We're All Nerds Now, September 13, 2014, October 29, 2014 http://www.nytimes.com/2014/09/14/sunday-review/were-all-nerds-now.html,
1980s, First term of office (1981–1985)
Source: Ronald Reagan (6 December 1983), cited by Paul Slansky, The Clothes Have No Emperor
Free Culture (2004)
Context: A free culture has been our past, but it will only be our future if we change the path we are on right now. Like Stallman's arguments for free software, an argument for free culture stumbles on a confusion that is hard to avoid, and even harder to understand. A free culture is not a culture without property; it is not a culture in which artists don't get paid. A culture without property, or in which creators can't get paid, is anarchy, not freedom. Anarchy is not what I advance here. Instead, the free culture that I defend in this book is a balance between anarchy and control. A free culture, like a free market, is filled with property. It is filled with rules of property and contract that get enforced by the state. But just as a free market is perverted if its property becomes feudal, so too can a free culture be queered by extremism in the property rights that define it. That is what I fear about our culture today. It is against that extremism that this book is written.
Source: A History of European Morals from Augustus to Charlemagne (1869), Chapter 5 (3rd edition p. 303)
Source: 1920s, Coming of Age in Samoa (1928), p. 1