Source: The Archetypes and the Collective Unconscious (1934), p. 42-43
Context: Whereas the personal unconscious consists for the most part of "complexes", the content of the collective unconscious is made up essentially of "archetypes". The concept of the archetype, which is an indispensable correlate of the idea of the collective unconscious, indicates the existence of definite forms in the psyche which seem to be present always and everywhere. Mythological research calls them 'motifs'; in the psychology of primitives they correspond to Levy-Bruhl's concept of "representations collectives," and in the field of comparative religion they have been defined by Hubert and Mauss as 'categories of the imagination'... My thesis, then, is as follows: In addition to our immediate consciousness, which is of a thoroughly personal nature and which we believe to be the only empirical psyche (even if we tack on the personal unconscious as an appendix), there exists a second psychic system of a collective, universal, and impersonal nature which is identical in all individuals.
“Whereas Freud was for the most part concerned with the morbid effects of unconscious repression, Jung was more interested in the manifestations of unconscious expression, first in the dream and eventually in all the more orderly products of religion and art and morals.”
"Revolt of the Demons", p. 399
Interpretations and Forecasts 1922-1972 (1973)
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Lewis Mumford 75
American historian, sociologist, philosopher of technology,… 1895–1990Related quotes
Quote in Hopper's letter to Charles H. Sawyer, October 29, 1939; as cited in Edward Hopper, Lloyd Goodrich; New York, Harry N. Abrams, 1971, p. 164
1911 - 1940
The Freudian Unconscious and Ours
The Four Fundamental Concepts of Psycho Analysis (1978)
"Modern Examples of Background Physics" ["Moderne Beispiele zur Hintergrundsphysik"] (1948) as translated by David Roscoe in Atom and Archetype (1992) edited by Carl Alfred Meier
Context: Although I have no objection to accepting the existence of relatively constant psychic contents that survive personal ego, it must always be born in mind that we have no way of knowing what these contents are actually like "as such." All we can observe is their effect on other living people, whose spiritual level and whose personal unconscious crucially influence the way these contents actually manifest themselves.
pdf, A Century of Negotiations: The Changing Sphere of the Woman Dancer in India, 1 December 2013, Performancestudies.ucla.edu, 15-16 http://www.performancestudies.ucla.edu/downloads/SarkarNegotiation.pdf.,
“Art is a marriage of the conscious and the unconscious.”
I felt his dismissal; I made no response.
Source: Bone: Dying into Life (2000), p. 33
Source: Language: an Introduction to the Study of Speech