The Rediscovery of the Mind, p. 97, MIT Press (1992) ISBN 0-262-69154-X.
“It is what makes conscious of the conditions and laws of observing which applied in this manner become a theme on its own. The activity of consciousness depending on the way the work itself proceeds, becomes the subject of my attention this way and it is precisely because of this voyeuristic attitude toward the own observation and experience of the subject that the conscious analytic dimension in the work shows.”
Source: undated quotes, Tàpies, Werke auf Papier 1943 – 2003,' (2004), p. 30 : About the ambivalence in his own work.
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Antoni Tàpies 39
Catalan painter, sculptor and art theorist 1923–2012Related quotes
Source: Moral Consciousness and Communicative Action (1983), p. 5
Max Velmans (2009) Understanding Consciousness, Edition 2. Routledge/Psychology Press, p. 298
Source: Hegel's Idealism: The Satisfactions of Self-Consciousness (1989), p. 20
Knowing Yourself: The True in the False (1996)
Michel Henry, Marx II. une philosophie de l’économie, éd. Gallimard, coll. « Nrf », 1976, p. 435
Books on Economy and Politics, Marx. A Philosophy of Human Being (1976)
Original: (fr) Comment le capital trouve sa substance et son essence dans le travail vivant, de telle manière qu’il provient exclusivement de lui, ne peut se passer de lui, ne vit que pour autant qu’il puise à chaque instant sa vie dans celle du travailleur, vie qui devient ainsi la sienne, c’est ce qu’exprime à travers toute l’œuvre de Marx le thème du vampire. « Le capital est du travail mort qui, semblable au vampire, ne s’anime qu’en suçant le travail vivant et sa vie est d’autant plus allègre qu’il en pompe davantage ».
Source: Systems Thinking, Systems Practice, 1981, p. 152 as cited in: R.L. McCown (2001) "Learning to bridge the gap between science-based decision support and the practice of farming". In: Aust. J. Agric. Res., Vol 52, p. 560-561
Fourth Lecture, p. 74.
The Psychology of Man's Possible Evolution (1950)
“People are my favourite subject because there are no two alike, so my work never becomes routine.”
Robert Frank interview in: Tom Ang (2010), The Complete Photographer https://books.google.nl/books?id=HX-Fcm6XP5UC&pg=PA43, p. 43