
Source: Sir William Herschel: His Life and Works (1880), Ch.4 "Life and Works" Footnote: At least one of these telescopes had the principal mirror made of glass instead of metal. Philosophical Transactions of the Royal Society of London (1803).
Source: Sir William Herschel: His Life and Works (1880), Ch.4 "Life and Works".
Source: Sir William Herschel: His Life and Works (1880), Ch.4 "Life and Works" Footnote: At least one of these telescopes had the principal mirror made of glass instead of metal. Philosophical Transactions of the Royal Society of London (1803).
Source: 1969 - 1980, In: "Ellsworth Kelly: Works on Paper," 1987, p. unknown : 'Notes from 1969'
Interview with David Brancaccio (2003)
But the moment they are out the door I start working on it. I rework it.
In a talk with Kosinski, before 'Per Kirkeby at the Phillips', in The Phillips Collection, Washington D.C. January, 2013
Kirkeby spoke to exhibition co-curator Dorothy Kosinski about the necessity of time in the development of a painting.
1995 and later
Source: General and industrial management, 1919/1949, p.xxi cited in: Harold R. Pollard (1974) Developments in management thought. p. 88
in mainly small sizes
from: 'Lebenserinnerungen', 1938
This small house was in St. Prex, in Switzerland, lake Genova, where Jawlensky concentrated himself on the view around his house in the years after 1914.. ..he painted here more than 400 'Variations on a landscape theme', in St. Prex
Source: 1936 - 1941, Life Memories' (1938), p. 186