
Source: Practical Pictorial Photography, 1898, Pin-hole as a substitute for the lens, p. 60
Source: Practical Pictorial Photography, 1898, Pin-hole as a substitute for the lens, p. 61
Source: Practical Pictorial Photography, 1898, Pin-hole as a substitute for the lens, p. 60
Source: Practical Pictorial Photography, 1898, Pin-hole as a substitute for the lens, p. 60
Source: On Nature (1874), p. 102
Context: Conformity to nature has no connection whatever with right and wrong. The idea can never be fitly introduced into ethical discussions at all, except, occasionally and partially, into the question of degrees of culpability. To illustrate this point, let us consider the phrase by which the greatest intensity of condemnatory feeling is conveyed in connection with the idea of nature - the word "unnatural." That a thing is unnatural, in any precise meaning which can be attached to the word, is no argument for its being blamable; since the most criminal actions are to a being like man not more unnatural than most of the virtues.
In both sexes is played out the same drama of the flesh and the spirit, of finitude and transcendence; both are gnawed away by time and laid in wait for by death, they have the same essential need for one another; and they can gain from their liberty the same glory. If they were to taste it, they would no longer be tempted to dispute fallacious privileges, and fraternity between them could then come into existence.
The Second Sex (1949)
Quoted in Friends' Intelligencer, Vol. 107 (1950), ed. 26-52, p. 657
'Search for the Real in the Visual Arts', p. 44
Search for the Real and Other Essays (1948)