“And then [after the break with Clem [Greenberg], c. 1955] I investigated something which is related to what I talked about in 'Number 14', [of Jackson] Pollock, a side of me that --.... Well, I always use this word and I'm always dissatisfied with it because it's not what I mean at all, but a 'surreal' side. There are two words that are applied to me often that I think are very wrong but there aren't any other words that I can think of at the moment that would --. But one is 'lyrical' and the other is 'surreal'.... I understand what's meant when that word [lyrical] is used in relation to my pictures. And I don't think 'lyric' is a put down but 'lyric' never implies the profound enough.... In other words, 'lyric' can imply light, untouched, angelic, witty. Which are marvelous qualities. But 'light' can also imply simple, which is not a marvelous quality. I don't know..”
quote about 'surreal' / 'lyrical', after 1955
1960s, Interview with Barbara Rose', Archives - American Art, 1968
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Helen Frankenthaler 46
American artist 1928–2011Related quotes

Interview in regard to his work Rites of Passage, quoted in The Dreams of William Golden, BBC Arena (2012)

On finding his niche as a writer in “AN INTERVIEW WITH LUIS ALBERTO URREA” http://www.bookslut.com/features/2011_12_018440.php in Bookslut (December 2011)

Quote, 1914, from: Foreword
1970s, Some Memories of Drawings (1976)

Interview with Robin Denselow (May 2008)
Source: Denselow, Robin, http://arts.guardian.co.uk/filmandmusic/story/0,,2280144,00.html, Robin Denselow talks to African superstar and activist Miriam Makeba, The Guardian, 15, London, 16 May 2008, 18 November 201

The Beatles Anthology (2000), p. 96

From 1980s onwards, Only Integrity is Going to Count (1983)
Context: I never try to tell anybody else what to do, number one. And number two, I think that's what the individual is all about. Each one of us has something to contribute. This really depends on each one doing their own thinking, but not following any kind of rule that I can give out, any command. We're all on the frontier, we're all in a great mystery — incredibly mysterious. Each one possesses exactly what each one is working out, and what each one works out relates to their particular set of circumstances of any one day, or any one place around the world.

1910s, The New Nationalism (1910)
Context: If I could ask but one thing of my fellow countrymen, my request would be that, whenever they go in for reform, they remember the two sides, and that they always exact justice from one side as much as from the other. I have small use for the public servant who can always see and denounce the corruption of the capitalist, but who cannot persuade himself, especially before election, to say a word about lawless mob-violence. And I have equally small use for the man, be he a judge on the bench or editor of a great paper, or wealthy and influential private citizen, who can see clearly enough and denounce the lawlessness of mob-violence, but whose eyes are closed so that he is blind when the question is one of corruption of business on a gigantic scale. Also, remember what I said about excess in reformer and reactionary alike. If the reactionary man, who thinks of nothing but the rights of property, could have his way, he would bring about a revolution; and one of my chief fears in connection with progress comes because I do not want to see our people, for lack of proper leadership, compelled to follow men whose intentions are excellent, but whose eyes are a little too wild to make it really safe to trust them.