Credo (1965)
Context: I believe that love is the main key to open the doors to the "growth" of man. Love and union with someone or something outside of oneself, union that allows one to put oneself into relationship with others, to feel one with others, without limiting the sense of integrity and independence. Love is a productive orientation for which it is essential that there be present at the same time: concern, responsibility, and respect for and knowledge of the object of the union.
I believe that the experience of love is the most human and humanizing act that it is given to man to enjoy and that it, like reason, makes no sense if conceived in a partial way.
“I acted like a human male. When I act like a human male it doesn't make me less human, it just makes me less female.”
Homecoming saga, The Ships Of Earth (1994)
Help us to complete the source, original and additional information
Orson Scott Card 586
American science fiction novelist 1951Related quotes
(p. 138)
The Ape that Thought It Was a Peacock: Does Evolutionary Psychology Exaggerate Human Sex Differences? (2013)
“Our problem is not machines acting like humans -- it’s humans acting like machines.”
Spark (2014)
Context: Artificial intelligence is a concept that obscures accountability. Our problem is not machines acting like humans -- it’s humans acting like machines.
Living Faith (2001), p. 222
Post-Presidency
Context: Except during my childhood, when I was probably influenced by Michelangelo's Sistine Chapel depiction of God with a flowing white beard, I have never tried to project the Creator in any kind of human likeness. The vociferous debates about whether God is male or female seem ridiculous to me. I think of God as an omnipotent and omniscient presence, a spirit that permeates the universe, the essence of truth, nature, being, and life. To me, these are profound and indescribable concepts that seem to be trivialized when expressed in words.
“You assume that it has to be a male god who finds a human female attractive? How sexist is that?”
Source: The Lightning Thief
Source: Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson (1990), p. 26
“My protagonists, male and female, are me.”
The Crosswicks Journal, The Irrational Season (1977)
Context: My protagonists, male and female, are me. And so I must be able to recall exactly what it was like to be five years old, and twelve, and sixteen, and twenty-two, and.... For, after all, I am not an isolated fifty-seven years old; I am every other age I have been, one, two, three, four, five, six, seven... all the way up to and occasionally beyond my present chronology.