
quoted by Richard Kostelanetz and Joseph Darby (eds.) in Classic Essays on Twentieth-Century Music; Schirmer, New York, 1996 ISBN 0028645812
after 1916
co-authored with Wassily Kandinsky
1911 - 1914
Source: Franz Marc's Manifesto for 'the Blaue Reiter' group, (1912); as quoted in Letters of the great artists – from Blake to Pollock, Richard Friedenthal, Thames and Hudson, London, 1963, p. 207
quoted by Richard Kostelanetz and Joseph Darby (eds.) in Classic Essays on Twentieth-Century Music; Schirmer, New York, 1996 ISBN 0028645812
after 1916
“The function of the modern artist was not to convey beauty, but to convey new truths.”
The Age of Insight (2012)
Götz Adriani, Joseph Beuys, Winfried Konnertz (1979) Joseph Beuys, life and works. p. 255
1970's
V. The psychological working of Colour: Quoted in: Hajo Düchting (2000) Wassily Kandinsky, 1866-1944: A Revolution in Painting. p. 17
Alternative translation:
Colour is a means of exerting direct influence on the soul. Colour is the keyboard, the eyes are the hammers, the soul is the piano with many strings. The artist is the hands which plays touching one key or another purposively to cause vibrations in the Soul; in: Anna Moszynska, Abstract Art, Thames and Hudson, 1990
Source: 1910 - 1915, Concerning the Spiritual in Art, 1911
Quote, End of 1921, from; Liubov Popova, untitled manuscript, cited by A. Adaskina in 'Liubov' Popova. Put' stanovleniia khudozhnika-konstruktora', 'Tekhnicheskaia estetika', no.11, 1978, p.19; as quoted by Christina Lodder in Tate Papers no. 14: Liubov Popova: From Painting to Textile Design http://www.tate.org.uk/research/publications/tate-papers/14/liubov-popova-from-painting-to-textile-designhttp://www.tate.org.uk/research/publications/tate-papers/14/liubov-popova-from-painting-to-textile-design
“Of which all Europe rings from side to side.”
To Cyriack Skinner, upon His Blindness (c. 1655)