“The power of memory - magic- myth - abstract beauty. I paint pictures that have never been seen before. Visions of another world. At once sensuous and intellectual.”

— Stefan Szczesny

Mustique (2002)

Adopted from Wikiquote. Last update June 3, 2021. History

Help us to complete the source, original and additional information

Do you have more details about the quote "The power of memory - magic- myth - abstract beauty. I paint pictures that have never been seen before. Visions of anot…" by Stefan Szczesny?

Stefan Szczesny 8

German painter and sculptor 1951

Related quotes

“Christ does not dress up a moral picture, and ask you to observe its beauty. He only tells you how to live; and the most beautiful characters the world has ever seen, have been those who received and lived these precepts without once conceiving their beauty.”

Horace Bushnell (1802–1876) American theologian

Source: Dictionary of Burning Words of Brilliant Writers (1895), P. 140.

“To the attentive eye, each moment of the year has its own beauty, and in the same fields, it beholds, every hour, a picture which was never seen before, and which shall never be seen again.”

Ralph Waldo Emerson (1803–1882) American philosopher, essayist, and poet

Source: Nature and Selected Essays

“I really learned how to look at art.... before 1960. And in a sense that sharpened my eye for abstract pictures. Because, it's light in the painting that makes it work. It's light in the painting that makes it work.”

Helen Frankenthaler (1928–2011) American artist

quote about the role of light
1960s, Interview with Barbara Rose', Archives - American Art, 1968

“The memories of the first Independence Day may have faded, but the power of that magical moment must never be forgotten.”

Shashi Tharoor (1956) Indian politician, diplomat, author

The Hindu, "1947, first-hand ", Sunday, Aug 15, 2004 Available Online http://www.hinduonnet.com/mag/2004/08/15/stories/2004081500530300.htm
2000s

“One world and then another, running like a chain. One world treading on the heels of another world that plodded just ahead. One world’s tomorrow, another world’s today. And yesterday is tomorrow, and tomorrow is the past.
Except, there wasn’t any past. No past, that was, except the figment of remembrance that flitted like a night-winged thing in the shadow of one’s mind. No past that one could reach. No pictures painted on the wall of time. No film that one could run backwards and see what-once-had-been…
One road was open, but another road was closed. Not closed, of course, for it had never been. For there wasn’t any past, there never had been any, there wasn’t room for one. Where there should have been a past there was another world.”

Clifford D. Simak book City

Source: City (1952), Chapter 7, “Aesop” (pp. 195-196)

“Magic doesn't happen often — not once in a blue moon … I expect there isn't another magic ship like this one in the whole world.”

Hilda Lewis (1896–1974) British writer

Source: The Ship that Flew (1939), Ch. 2 : And Continues

“The painting never changes once I've started to paint it. I work things out before-hand in the sketches.”

Frank Stella (1936) American artist

Quotes, 1971 - 2000
Source: Machine in the Studio, Caroline. A. Jones, University of Chicago Press, 1996, pp. 197-198

“There is something ridiculous and miserly in the myth we inherit from abstract art: That painting is autonomous, pure and for itself, and therefore we habitually analyze its ingredients and define its limits. But painting is 'impure'. It is the adjustment of 'impurities', which forces painting’s continuity. We are image-makers and image-ridden. There are no 'wiggly or straight lines' or any other elements. You work until you vanish. The picture isn’t finished if they are seen.”

Phillip Guston (1913–1980) American artist

transcript of the panel, March 1960, held at the Philadelphia Museum School of Art, as quoted in Abstract Expressionism Creators and Critics, edited by Clifford Ross, Abrams Publishers New York 1990, p.61
1950 - 1960

“What relation has a 'doe' to our picture of the world? Does it make any logical, or even artistic, sense, to paint the doe as it appears to our perspective vision, or in a cubistic form because we feel the world cubistically? It feels it as a doe, and its landscape must also be 'doe'… I can paint a picture: the roe; Pisanello has painted such. I can, however, also wish to paint a picture: 'the roe feels'. How infinitely sharper an intellect must the painter have, in order to paint this! The Egyptians have done it. The rose; Manet has painted that. Who has painted the flowering rose? The Indians..”

Franz Marc (1880–1916) German painter

Source: 1915 - 1916, 100 Aphorisms', Franz Marc (1915), p. 445

“The new painter owes the abstract artist a debt for giving him his language, but the new painting is concerned with a new type of abstract thought... He [the new painter] is declaring that the art of Western Europe is voluptuous art first, an intellectual art by accident. He is reversing the situation by declaring that art is an expression of the mind first and whatever sensuous elements are involved are incidental to that expression. The new painter is therefore the true revolutionary, the real leader who is placing the artist's function on its rightful plane of the philosopher and the pure scientist who is exploring the world of ideas, not the world of the senses.... so the artist is today giving us a vision of the world of truth in terms of visual symbols.”

Barnett Newman (1905–1970) American artist

Source: 1940 - 1950, The Plasmic Image 2. 1943-1945, p. 127

“The power of memory - magic- myth - abstract beauty. I paint pictures that have never been seen before. Visions of another world. At once sensuous and intellectual.”

Help us to complete the source, original and additional information

Stefan Szczesny 8

Related quotes

Related topics