“I have always taken the art of the ancient Egyptians as my model, even in purely technical matters.”

— Otto Mueller

Quote of Otto Mueller, 1919; as cited by de:Wolf-Dieter Dube, in Expressionism, de:Wolf-Dieter Dube; Praeger Publishers, New York, 1973, p. 90

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Otto Mueller 6

German painter and printmaker of the expressionist movement 1874–1930

J. R. Partington (1886–1965) British chemist

A Short History of Chemistry (1937)
Context: In Alexandria two streams of knowledge met and fused together... The ancient Egyptian industrial arts of metallurgy, dyeing and glass-making... and... the philosophical speculations of ancient Greece, now tinged with ancient mysticism, and partly transformed into that curious fruit of the tree of knowledge which we call Gnosticism.... the result was the "divine" or "sacred" art (... also means sulphur) of making gold of silver.... during the first four centuries a considerable body of knowledge came into existence. The treatises written in Greek... in Alexandria, are the earliest known books on chemistry.... The treatises also contain much of an allegorical nature... sometimes described as "obscure mysticism."... the Neoplatonism which was especially studied in Alexandria... is not so negligible as has sometimes been supposed.... The study of astrology was connected with that of chemistry in the form of an association of the metals with the planets on a supposed basis of "sympathy". This goes back to early Chaldean sources but was developed by the Neoplatonists.

“What dependence can I have on the alleged events of ancient history, when I find such difficulty in ascertaining the truth regarding a matter that has taken place only a few minutes ago, and almost in my own presence!”

Walter Raleigh (1554–1618) English aristocrat, writer, poet, soldier, courtier, spy, and explorer

Upon receiving discrepant accounts from the participants in a recent quarrel below his window.
Robert Chambers, Testimony: its Posture in the Scientific World http://books.google.com/books?id=pChcAAAAQAAJ& (1859) p. 12
Attributed

“Ancient philosophy proposed to mankind an art of living. By contrast, modern philosophy appears above all as the construction of a technical jargon reserved for specialists.”

Pierre Hadot (1922–2010) French historian and philosopher

trans. Michael Chase, p. 272
La Philosophie comme manière de vivre (2001)

“My art in the last period has all been in small format, but my paintings have become even deeper and more spiritual, speaking purely through colour... And now I leave these small – but to me – important works to the future and to the people who love art.”

Alexej von Jawlensky (1864–1941) Russian painter

from: 'Lebenserinnerungen', 1938 - after 1937 Jawlensky couldn't paint any longer because of severe arthritis
Source: 1936 - 1941, Life Memories' (1938), p. 249

“.. crushed by the strength of this Art [the old Egyptian art]... I fought against it but it conquered, it is surely the greatest Art the past has left us.... how are my feeble hands to ever paint the effect on me.”

Mary Cassatt (1844–1926) American painter and printmaker

Quote of Cassatt, after her trip to Egypt, 1910; as cited by Nancy Mowll Mathews, in Mary Cassatt: A Life, Yale University Press, New Haven, 1998, p. 291 - ISBN 978-0-585-36794-1

“It used to be fashionable for authors to have their pictures taken with dogs, but the dogs always looked like models hired from an advertising agency, and probably were.”

Robertson Davies (1913–1995) Canadian journalist, playwright, professor, critic, and novelist

mehitabel (1959).

“Art never seems to make me peaceful or pure. I always seem to be wrapped in the melodrama of vulgarity. I do not think.... of art as a situation of comfort.”

Willem de Kooning (1904–1997) Dutch painter

Original: Original in Dutch: Kunst lijkt me nooit volledig of zuiver te maken. Het is of ik altijd verwikkeld ben in het melodrama van de alledaagsheid. [...]
Source: Quote of De Kooning from Beyond the Aesthetic, Robert Motherwell, Design 47, April 1946, as quoted in Abstract Expressionist Painting in America, W.C, Seitz, Cambridge Massachusetts, 1983, p. 101.

“I also often hear the word 'evolution'. Repeatedly I am asked to explain how my painting evolved. To me there is no past or future in my art. If a work of art cannot live always in the present it must not be considered at all. The art of the Greeks, of the Egyptians, of the great painters who lived in other times, is not an art of the past; perhaps it is more alive today than it ever was. Art does not evolve by itself, the ideas of people change and with them their mode of expression.”

Pablo Picasso (1881–1973) Spanish painter, sculptor, printmaker, ceramicist, and stage designer

Paris 1923
As quoted by Marius de Zayas, in 'The Arts', New York, May 1923
Quotes, 1920's, "Picasso Speaks," 1923

“My etchings have.... the mistake of being processed as images and to have at the same time the meaning of epigrams. It is the union of pure painting with pure graphics... From now onwards my task will be the division of art and graphics, and the full development of both fields. The pure art has already turned to impressionism and the graphics is going to do it.”

Paul Klee (1879–1940) German Swiss painter

Quote in a letter to his wife, 12 June, 1906; as cited in Paul Klee. Das Frühwerk 1883-1922, p. 50.
1903 - 1910

“It is my strict charge that after my decease no plaster cast, model, or likeness whatever be permitted to be taken.”

Thomas Gainsborough (1727–1788) English portrait and landscape painter

'Tho. Gainsborough'.
In a note of 15 June, 1788; as cited in Thomas Gainsborough, by William T, Whitley https://ia800204.us.archive.org/6/items/thomasgainsborou00whitrich/thomasgainsborou00whitrich.pdf; New York, Charles Scribner's Sons – London, Smith, Elder & Co, Sept. 1915, p. 305
1770 - 1788

“I have always taken the art of the ancient Egyptians as my model, even in purely technical matters.”

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Otto Mueller 6

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