“Color has taken possession of me; no longer do I have to chase after it, I know that it has hold of me forever... Color and I are one. I am a painter.”

— Paul Klee

Diary-note (Tunisia, 16 April 1914), # 926; as quoted by Suzanne Partsch in Klee (reissue), Benedikt Taschen, Cologne, 2007 - ISBN 978-3-8228-6361-9, p. 20
1911 - 1914, Diary-notes from Tunisia' (1914)

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Paul Klee 104

German Swiss painter 1879–1940

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“another and longer variant: I now abandon work. It penetrated so deeply and so gently into me, I feel it and it gives me confidence in myself without effort. Color possesses me. I don’t have to pursue it. It will possess me always, I know it. That is the meaning of this happy hour: Colour and I are one. I am a painter.”

Paul Klee (1879–1940) German Swiss painter

Quote (Tunisia, 16 April 1914), # 926, in: The Diaries of Paul Klee, 1898-1918, transl. Pierre B. Schneider, R.Y. Zachary and Max Knight; Berkeley and Los Angeles, University of California Press, 1964
1911 - 1914, Diary-notes from Tunisia' (1914)

“I, the man of color, want only this: That the tool never possess the man. That the enslavement of man by man cease forever. That is, of one by another. That it be possible for me to discover and to love man, wherever he may be.”

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“With all the confidence I have
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“The large 'White Flower' [Georgia painted in 1929] with the golden heart is something I have to say about White – quite different from what White has been meaning to me. Whether the flower or the color is the focus I do not know. I do know that the flower is painted large to convey to you my experience of the flower – and what is my experience of the flower if it is not color.”

Georgia O'Keeffe (1887–1986) American artist

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“Separation

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“At last, here is a new man [ Millet ], who has the knowledge which I would like to have, and movement, color, expression, too, - here is a painter!”

Narcisse Virgilio Díaz (1807–1876) French painter

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Quotes of Diaz

“You see what a poor sinner I am, and how unworthy to possess what was given me; for that reason, it has been taken away.”

Robert E. Lee (1807–1870) Confederate general in the Civil War

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“That [watercolor] with the Cows has been partially washed out [reducing colors] and that ugly hedge of willow trees has been taken out, and is already doing better, but the paper is not a good quality. I don't know I'll finish it or make a new one.”

Willem Roelofs (1822–1897) Dutch painter and entomologist (1822-1897)

translation from original Dutch: Fons Heijnsbroek
(original Dutch: citaat van Willem Roelofs, in het Nederlands:) Die [aquarel] met de Koeijen is gedeeltelijk uitgewassen [kleuren vermindert] en die leelijke heg van wilgeboomen er uit [gehaald] en doet reeds beter, maar het papier is niet heel goed. Ik weet niet of ik die af zal maken of een nieuwe [maken].
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“For we know that the Law is spiritual, but I am fleshly, sold under sin. For I do not understand what I am doing. For I do not practice what I wish, but I do what I hate. However, if I do what I do not wish, I agree that the Law is fine. But now I am no longer the one doing it, but it is the sin that resides in me. For I know that in me, that is, in my flesh, there dwells nothing good; for I have the desire to do what is fine but not the ability to carry it out. For I do not do the good that I wish, but the bad that I do not wish is what I practice. If, then, I do what I do not wish, I am no longer the one carrying it out, but it is the sin dwelling in me.”

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“The chief aim of color should be to serve expression as well as possible. I put down my colors without a preconceived plan. If at the first step and perhaps without my being conscious of it one tone has particularly pleased me, more often then not when the picture is finished, I will notice that I have respected this tone while I have progressively altered and transformed the others. I discover the quality of colors in a purely instinctive way.”

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“Color has taken possession of me; no longer do I have to chase after it, I know that it has hold of me forever... Color and I are one. I am a painter.”

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Paul Klee 104

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