“We safeguard the right to attribution very strongly. After all, what we are fighting for is the intent of copyright as it is described in the US constitution: the promotion of culture. Many artists are using recognition as their primary driving force to create culture.”
Wikinews Interview http://en.wikinews.org/wiki/%22Avast_ye_scurvy_file_sharers%21%22:_Interview_with_Swedish_Pirate_Party_leader_Rickard_Falkvinge (June 20, 2006)
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Rickard Falkvinge 3
former head of the Swedish Pirate Party 1972Related quotes

Ma Ying-jeou (2014) cited in: " No plans to promote use of simplified characters: Ma http://www.taipeitimes.com/News/taiwan/archives/2014/01/02/2003580339" in Taipei Times, 2 January 2014.
Statement made during a calligraphy activity in Grand Hotel in Taipei, 1 January 2014.
Other topics
Source: Exploring the Crack In the Cosmic Egg (1974), p. 9-10

"Frequently Asked Questions", sitasingstheblues.com (November 2010) http://www.sitasingstheblues.com/faq.html<!-- Retrieved 28 February 2013 -->
Context: The corporations that hold these copyrights are media companies that also control most of the new media that comes out. Estimates vary, but it's said that 98 percent of all culture is unavailable right now because of copyrights. So the reason they hold the copyrights isn't because they want to get paid, it's because they don't want all the old stuff competing with the media stream that they control now.

As quoted on the broadcast of the 75th Golden Globe Awards, NBC (7 January 2018) https://www.huffingtonpost.com/entry/laura-dern-culture-silencing-victims-golden-globes_us_5a52d805e4b089e14dbc5ac0
Modi, Muslims and media: Voices from Narendra Modi's Gujarat. 2014

the desire for pleasure. The monks and the sannyasis of the world have tried to go beyond it, have forced themselves to worship an ideal, an image, a symbol. But desire is always there like a flame, burning. And to find out, to probe into the nature of desire, the complexity of desire, its activities, its demands, its fulfilments — ever more and more desire for power, position, prestige, status, the desire for the unnameable, that which is beyond all our daily life — has made man do all kinds of ugly and brutal things. Desire is the outcome of sensation the outcome with all the images that thought has built. And this desire not only breeds discontent but a sense of hopelessness. Never suppress it, never discipline it but probe into the nature of it — what is the origin, the purpose, the intricacies of it? To delve deep into it is not another desire, for it has no motive; it is like understanding the beauty of a flower, to sit down beside it and look at it. And as you look it begins to reveal itself as it actually is — the extraordinarily delicate colour, the perfume, the petals, the stem and the earth out of which it has grown. So look at this desire and its nature without thought which is always shaping sensations, pleasure and pain, reward and punishment. Then one understands, not verbally, nor intellectually, the whole causation of desire, the root of desire. The very perception of it, the subtle perception of it, that in itself is intelligence. And that intelligence will always act sanely and rationally in dealing with desire.
Krishnamurti to Himself (1987) http://www.jkrishnamurti.com/krishnamurti-teachings/view-text.php?tid=16&chid=609 - ISBN 0-06-250649-8 1993 edition; J.Krishnamurti Online. Serial No. 60039
1980s
“We desperately need to create a culture of winners”
" John Roth http://content.time.com/time/world/article/0,8599,2047568,00.html"