“From New Orleans and the back roads of the Mississippi Delta to Harlem and Chicago, black musicians set enduring and distinctive standards for American creativity. The blues of Ma Rainey and Bessie Smith, the gospel of Mahalia Jackson, the jazz of Duke Ellington, and the soul of Marvin Gaye claim fans of all ages from around the world. The trumpeting genius of Louis Armstrong and Dizzy Gillespie illustrate the exceptional musicianship so prominent in various genres of African-American music.”

— George W. Bush

2000s, 2001, Black Music (June 2001)

Adopted from Wikiquote. Last update June 3, 2021. History

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George W. Bush 675

43rd President of the United States 1946

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“Jazz, often called America's classical music, so influenced our culture that Americans named a decade after it. Like the country of its birth, jazz blends many traditions, such as African-American folk, rhythm and blues, French Creole classical form, and gospel. Through the creation and performance of music like jazz, black Americans were better able to exchange ideas freely across racial and cultural barriers. Before our Nation made significant strides in truly promoting equal justice and opportunity for all, black and white musicians in the genres of jazz, blues, and country played together in jam sessions, recording studios, and small bands. In many ways, their art preceded social change, allowing black and white musicians to meet as equals and to be judged on their musical ability, rather than the color of their skin. Their music also provided an outlet for African Americans to speak passionately and brilliantly to the rest of the Nation and the world.”

George W. Bush (1946) 43rd President of the United States

2000s, 2001, Black Music (June 2001)

“From historical burdens such as slavery and injustice to the celebration of faith, much of the origin of African-American music reflects our national story. The work songs, shouts and hollers, spirituals, and ragtime of an earlier era laid the creative foundation for many of America' s most distinctive and popular musical genres. These include rhythm and blues, jazz, hip hop, gospel, rap, and the roots of rock and roll.”

George W. Bush (1946) 43rd President of the United States

2000s, 2001, Black Music (June 2001)

“It is from the blues that all that may be called American music derives its most distinctive characteristic.”

James Weldon Johnson (1871–1938) writer and activist

Black Manhattan, ch. 11 (1930).

“There are only two things: love, all sorts of love, with pretty girls, and the music of New Orleans or Duke Ellington. Everything else ought to go, because everything else is ugly.”

Boris Vian (1920–1959) French polymath: writer, poet, musician, singer, translator, critic, actor, inventor and engineer

“I keep reverting (to Duke Ellington), he to me is the greatest ever and my favorite jazz philosopher, as such.”

Cannonball Adderley (1928–1975) American jazz alto saxophonist

Interviewed by the "Chicago SEED", November 1968

“The first jazz musician was a trumpeter, Buddy Bolden, and the last will be a trumpeter, the archangel Gabriel.”

Wynton Marsalis (1961) American jazz musician

http://en.wikipedia.org/w/index.php?title=List_of_trumpeters&oldid=33992072#Quotation
Attributed

“What you won't hear, except from me, is that 'Let the good times roll' is an especially risky message for African-Americans. The plain fact is that they tend to possess poorer native judgment than members of better-educated groups. Thus they need stricter moral guidance from society. … In contrast to New Orleans, there was only minimal looting after the horrendous 1995 earthquake in Kobe, Japan — because, when you get down to it, [the] Japanese aren't blacks.”

Steve Sailer (1958) American journalist and movie critic

Racial Reality And The New Orleans Nightmare https://archive.is/20121211061614/www.vdare.com/sailer/050903_new_orleans.htm, VDARE, September 3, 2005

“On Charley Patton's voice and music style: I heard this fella, and his voice sounded like my voice. I’d always thought, ‘Well, I could never be a singer with this horrible voice’. I hated it. Absolutely hated it. Still do. But he sounded like the same kind of thing. I didn’t know black American terms: a boll weevil or turnpike blues. But there was an emotion that clicked with me. I became fascinated with gospel blues. I still play more gospel than Chicago. I very rarely go anywhere near that speed, aggression, Clapton thing. Someone once reviewed me, saying the testosterone was missing from my blues solos, because I don’t do Chicago. It’s just alien to me.”

Chris Rea (1951) English singer-songwriter

2015

“Richard went to Paris in 1946, when I was 22, he was 38. Now, it took me a long time; I had to get to be much older to realize something. I didn't realize it that day at all. I was not born in Mississippi; I was born in New York. And I did not leave Mississippi to go to Chicago. And endure all that. I was much too young to realize what I was looking at really. But, that's a journey. To go from Mississippi to Chicago to New York to Paris in 38 years is amazing. You might as well have walked all that distance, it's almost that remarkable.”

Richard Wright (1908–1960) African-American writer

James Baldwin at Yale University (2 November 1983)

“Do you want to set up the meeting? Are they friends of yours? [Addressing an African-American reporter and referring to the Congressional Black Caucus]”

Donald J. Trump (1946) 45th President of the United States of America

Comments made during a news conference at the White House https://www.nytimes.com/2017/02/16/us/politics/donald-trump-press-conference-transcript.html?_r=0 (16 February 2017)
2010s, 2017, February

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