Catherine Earnshaw (Ch. IX).
Source: Wuthering Heights (1847)
Context: I can not express it; but surely you and everybody have a notion that there is, or should be an existence of yours beyond you. What were the use of creation if I were entirely contained here? My great miseries in this world have been Heathcliff's miseries, and I watched and felt each from the beginning; my great thought in living is himself. If all else perished, and he remained, I should still continue to be; and if all else remained, and he were annihilated, the universe would turn to a mighty stranger. I should not seem a part of it. My love for Linton is like the foliage in the woods: time will change it, I'm well aware, as winter changes the trees. My love for Heathcliff resembles the eternal rocks beneath: a source of little visible delight, but necessary. Nelly, I am Heathcliff - he's always, always in my mind - not as a pleasure, any more than I am always a pleasure to myself - but as my own being; so, don't talk of our separation again - it is impracticable.
“4900. There is more pleasure in loving, than in being belov'd.”
Introductio ad prudentiam: Part II (1727), Gnomologia (1732)
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Thomas Fuller (writer) 420
British physician, preacher, and intellectual 1654–1734Related quotes
“There is no surprise more magical than the surprise of being loved.”
“We cannot be more sensitive to pleasure without being more sensitive to pain.”
Source: The Wisdom of Insecurity: A Message for an Age of Anxiety
“Pains of love be sweeter far
Than all other pleasures are.”
Variant: Pains of love be sweeter far
Than all other pleasures are.
“The pleasure of love is in loving; we are happier in the passion we feel than in what we inspire.”
Le plaisir de l'amour est d'aimer; et l'on est plus heureux par la passion que l'on a que par celle que l'on donne.
Maxim 259. Compare: "They who inspire it most are fortunate, As I am now; but those who feel it most Are happier still", Percy Bysshe Shelley, Prometheus Unbound, Act ii, Scene 5.
Reflections; or Sentences and Moral Maxims (1665–1678)