“Among those today who believe that modern poetry must do without rhyme or metre, there is an assumption that the alternative to free verse is a crash course in villanelles, sestinas and other such fixed forms. But most…are rare in English poetry. Few poets have written a villanelle worth reading, or indeed regret not having done so.”

— James Fenton

Source: An Introduction to English Poetry (2002), Ch. 3: The Training of the Poet (p. 21)

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James Fenton 17

poet 1949

F. S. Flint (1885–1960) English Imagist poet

Otherworld Cadences (1920)

“The default designation of poetry has become written poetry. That's why we have to prefix the adjective "oral," because the unmodified noun no longer covers anything but written poetry. That's also why we resort to other unwieldy phrases to pigeonhole events and phenomena that our cultural proclivities have silently eliminated from consideration. Thus a "poetry reading" describes a performance (from a published text, of course) before a well-behaved, often academic audience. Thus "spoken-word poetry"—so redundant from a historical perspective—identifies voiced verbal art, verse that is lifted off the page and into the world of presence and experience.”

John Miles Foley (1947–2012) American literary scholar

How to Read an Oral Poem (2002), p. 30

“Any form of orthodoxy is just not part of a poet's province … A poet must be able to claim … freedom to follow the vision of poetry, the imaginative vision of poetry … And in any case, poetry is religion, religion is poetry.”

R.S. Thomas (1913–2000) Welsh poet

R. S. Thomas : Priest and Poet, BBC TV (2 April 1972)
Context: Any form of orthodoxy is just not part of a poet's province … A poet must be able to claim … freedom to follow the vision of poetry, the imaginative vision of poetry … And in any case, poetry is religion, religion is poetry. The message of the New Testament is poetry. Christ was a poet, the New Testament is metaphor, the Resurrection is a metaphor; and I feel perfectly within my rights in approaching my whole vocation as priest and preacher as one who is to present poetry; and when I preach poetry I am preaching Christianity, and when one discusses Christianity one is discussing poetry in its imaginative aspects. … My work as a poet has to deal with the presentation of imaginative truth.

“No verse is free for the man who wants to do a good job…. Poetry.. remains one person talking to another…. no poet can write a poem of amplitude unless he is the master of the prosaic.”

T.S. Eliot (1888–1965) 20th century English author

The Music of Poetry (24 February 1942) the third W. P. Ker memorial lecture delivered in the University of Glasgow

“Poetry (like a grand personality) is a growth of many generations — many rare combinations.
To have great poets, there must be great audiences too.”

Walt Whitman (1819–1892) American poet, essayist and journalist

Complete Prose Works (1892), III. Notes Left Over 3. Ventures, on an Old Theme, p.324 http://books.google.com/books?id=UJA1AAAAMAAJ&pg=PA324
Context: If the United States haven't grown poets, on any scale of grandeur, it is certain that they import, print, and read more poetry than any equal number of people elsewhere — probably more than the rest of the world combined.
Poetry (like a grand personality) is a growth of many generations — many rare combinations.
To have great poets, there must be great audiences too.