Isaac Asimov quote: “Titles are an important part of a story and I take considerable care in choosing one. In fact, I cannot start a story u…”

“I have an essay with the title "Eyes in their Last Extremity".
The title comes from the suicide note of the short-story writer Akutagawa Ryunosuke… It is the phrase that pulls at me with the greatest strength.”

Yasunari Kawabata (1899–1972) Japanese author, Nobel Prize winner

Japan, the Beautiful and Myself (1969)
Context: I have an essay with the title "Eyes in their Last Extremity".
The title comes from the suicide note of the short-story writer Akutagawa Ryunosuke... It is the phrase that pulls at me with the greatest strength. Akutagawa said that he seemed to be gradually losing the animal something known as the strength to live, and continued:
"I am living in a world of morbid nerves, clear and cold as ice... I do not know when I will summon up the resolve to kill myself. But nature is for me more beautiful than it has ever been before. I have no doubt that you will laugh at the contradiction, for here I love nature even when I am contemplating suicide. But nature is beautiful because it comes to my eyes in their last extremity."
Akutagawa committed suicide in 1927, at the age of thirty-five.
In my essay, "Eyes in their Last Extremity", I had to say: "How ever alienated one may be from the world, suicide is not a form of enlightenment. However admirable he may be, the man who commits suicide is far from the realm of the saint." I neither admire nor am in sympathy with suicide.

“As soon as I get an idea, I write a short story, or I start a novel, or I do a poem. So I have no need for a notebook. I do keep files of ideas and stories that didn’t quite work a year ago, five years ago, ten years ago. I come back to them later and I look through the titles.”

Ray Bradbury (1920–2012) American writer

The Paris Review interview (2010)

“My initial thoughts about what a title can do was to set mood and the prime underlying core of the film's story, to express the story in some metaphorical way. I saw the title as a way of conditioning the audience, so that when the film actually began, viewers would already have an emotional resonance with it.”

Saul Bass (1920–1996) American graphic designer and filmmaker

Haskins, Pamela (Autumn 1996). "Saul, Can You Make Me a Title? Interview with Saul Bass". Film Quarterly. pp. 12–13.

“I start with a tingle, a kind of feeling of the story I will write. Then come the characters, and they take over, they make the story.”

Karen Blixen (1885–1962) Danish writer

“If you want a title, what's wrong with Mr? If you have always been that, then why lose your title?
I have a title, which is the same one that I have always had.
But it's not political. I have a CBE, which I accepted very gratefully.”

Paul Scofield (1922–2008) English actor

On his refusal of a knighthood.
"Paul Scofield: Man for all seasons" http://news.bbc.co.uk/2/hi/entertainment/1092962.stm, BBC News (2000-12-30)

“They don't remember the title but when they describe the story it is invariably "The Last Question".”

Isaac Asimov book The Last Question

"Introduction" to The Best of Isaac Asimov (1973)
The Last Question (1956)
Context: "The Last Question" is my personal favorite, the one story I made sure would not be omitted from this collection. Why is it my favorite? For one thing I got the idea all at once and didn't have to fiddle with it; and I wrote it in white-heat and scarcely had to change a word. This sort of thing endears any story to any writer.
Then, too, it has had the strangest effect on my readers. Frequently someone writes to ask me if I can give them the name of a story, which they think I may have written, and tell them where to find it. They don't remember the title but when they describe the story it is invariably "The Last Question". This has reached the point where I recently received a long-distance phone call from a desperate man who began, "Dr. Asimov, there's a story I think you wrote, whose title I can't remember—" at which point I interrupted to tell him it was "The Last Question" and when I described the plot it proved to be indeed the story he was after. I left him convinced I could read minds at a distance of a thousand miles.
No other story I have written has anything like this effect on my readers — producing at once an unshakeable memory of the plot and an unshakeable forgettery of the title and even author. I think it may be that the story fills them so frighteningly full, that they can retain none of the side-issues.

“No other story I have written has anything like this effect on my readers — producing at once an unshakeable memory of the plot and an unshakeable forgettery of the title and even author. I think it may be that the story fills them so frighteningly full, that they can retain none of the side-issues.”

Isaac Asimov book The Last Question

"Introduction" to The Best of Isaac Asimov (1973)
The Last Question (1956)
Context: "The Last Question" is my personal favorite, the one story I made sure would not be omitted from this collection. Why is it my favorite? For one thing I got the idea all at once and didn't have to fiddle with it; and I wrote it in white-heat and scarcely had to change a word. This sort of thing endears any story to any writer.
Then, too, it has had the strangest effect on my readers. Frequently someone writes to ask me if I can give them the name of a story, which they think I may have written, and tell them where to find it. They don't remember the title but when they describe the story it is invariably "The Last Question". This has reached the point where I recently received a long-distance phone call from a desperate man who began, "Dr. Asimov, there's a story I think you wrote, whose title I can't remember—" at which point I interrupted to tell him it was "The Last Question" and when I described the plot it proved to be indeed the story he was after. I left him convinced I could read minds at a distance of a thousand miles.
No other story I have written has anything like this effect on my readers — producing at once an unshakeable memory of the plot and an unshakeable forgettery of the title and even author. I think it may be that the story fills them so frighteningly full, that they can retain none of the side-issues.

“The undramatic fact is that I just think and think and think until I have something [for a story], and there is nothing marvelous or artistic about the phenomenon.”

Isaac Asimov book In Memory Yet Green

In Memory Yet Green (1979), pp. 301–302
General sources

“What I intended to do was to burn a half dozen of my books and keep warm, so that I could write my story, but when I looked around for titles to burn, I couldn't find any.”

William Saroyan (1908–1981) American writer

The Daring Young Man on the Flying Trapeze (1934), A Cold Day

“Stories don't care who takes part in them. All that matters if that the story gets told, that the story repeats. Or, if you prefer to think of it like this: stories are a parasitical life form, warping lives in the service only of the story itself.”

Terry Pratchett book Witches Abroad

Source: Witches Abroad

“Titles are an important part of a story and I take considerable care in choosing one. In fact, I cannot start a story until I have chosen a title.”

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