“Now that to me is lovely music. Really, that type of thing really moves me. This, of course, is Bill Evans, Scott LaFaro, and Paul Motian…. Even Scott's playing on this particular album should disprove all the "naughty" things people said about him, about his being too active, getting in people's way; because the one thing about Scotty, with all his technique, was that he had a perceptivity, which let him use it judiciously. He started this record by playing on the first beat of every bar. He wasn't even playing in two, and any man who has that much technique, who knows where to limit himself, to me, is just great. And of course Bill plays lovely on the thing. That's another five-star.”

— Clare Fischer

Reviewing a "live recording https://www.youtube.com/watch?v=g-jsW61e_-w of the Bill Evans Trio performing "My Foolish Heart," from the album Waltz for Debby; as quoted in "Clare Fischer: Blindfold Test" http://www.mediafire.com/view/fix6ane8h54gx/Clare_Fischer#rjvay58eo774rhe by Leonard Feather, in Downbeat (October 25, 1962), p. 39

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Clare Fischer 48

American keyboardist, composer, arranger, and bandleader 1928–2012

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“I really don't know what to say about this without sounding hypercritical. First of all, the style of playing is so tremendously behind the beat, it gets to the point that I feel he's in opposition to his rhythm section, and I can't get a nice swing out of the thing. The pianist is tremendously heavy-handed, which I think gets in the way of what he's trying to do, so I feel that in some spots he's stumbling, instead of having the feeling that the man is executing what he wants to play. The whole thing strikes me as a sort of comme-ci-comme-ca performance of a like tune. Two stars.”

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Reviewing Dodo Marmarosa's recording of "Mellow Mood," https://www.youtube.com/watch?v=xieUt3PqGJ0 from the album Dodo's Back!; as quoted in "Clare Fischer: Blindfold Test" http://www.mediafire.com/view/fix6ane8h54gx/Clare_Fischer#rjvay58eo774rhe

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Clare Fischer 48

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