“They [nine women in Hindu mythology] are Ahalya, Draupadi, Tara, Kunti, Mandodari, Sita, Savitri, Parvati, Damayanti, Maitreyi and Shakuntala. All of them were not held in the same degree of esteem and reverence. The first five women, known as pancakanya, may well be remembered in daily prayers but none of them is regarded as an ideal woman, at least not recommended by anyone for emulation by others.”

— Kunti

Prabhati Mukherjee in: Hindu Women: Normative Models http://books.google.com/books?id=6ovdvq7mjpUC&pg=PA39, Orient Blackswan, 1 January 1994, p. 48

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Kunti 52

character from Indian epic Mahabharata

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“In spite of several plus points to their credit – like the wisdom, courage, and sagacity of Draupadi, Tara and Damayanti, the keen and lively interest they evinced in their surroundings and also the part played by the former two in the management of their respective realms, the strong sense of duty, love and loyalty to their respective husbands as shown by Kunti, Mandodari and Shakuntala, the carving for knowledge as expressed by Maitreyi – none of them is a model for Hindu women.”

Kunti character from Indian epic Mahabharata

Prabhati Mukherjee in:"Hindu Women: Normative Models", p. 49.

“Ahalya and Draupadi – are ayonijasambhava, “not-of-woman-born”. Of the five kanyas, none quite measure up to the standard of monogamous chastity, commended so overwhelmingly in our culture. Each has had either an extra-marital relationship or more than one husband. Draupadi and Kunti are celebrated in Vyasa’s Mahabharata.”

Kunti character from Indian epic Mahabharata

Pradip Bhattacharya in: "Five Holy Virgins, Five Sacred Myths A Quest for Meaning"

“Kunti and Draupadi are two women who shape the entire course of dynastic destiny in the Mahabharata. Kunti chooses the scion of Hastinapura, Pandu, to wed, and becomes the mother of the epic’s protagonists: the Pandavas.”

Kunti character from Indian epic Mahabharata

Five Holy Virgins, Five Sacred MythsOf Kunti and Satyawati Sexually Assertive Women of the Mahabharata

“Women are tenacious, and all of them should be tenacious of respect; without esteem they cannot exist; esteem is the first demand that they make of love.”

Honoré de Balzac book A Woman of Thirty

Les femmes tiennent et doivent toutes tenir à être honorées, car sans l'estime elles n'existent plus. Aussi est-ce le premier sentiment qu'elles demandent à l'amour.
Source: A Woman of Thirty (1842), Ch. III: At Thirty Years.

“The knights in [Britain] that were famous for feats of chivalry, wore their clothes and arms all of the same colour and fashion: and the women also no less celebrated for their wit, wore all the same kind of apparel; and esteemed none worthy of their love, but such as had given a proof of their valour in three several battles. Thus was the valour of the men an encouragement for the women's chastity, and the love of the women a spur to the soldier's bravery.”
Quicumque vero famosus probitate miles in eadem erat unius coloris vestibus atque armis utebatur facete etiam mulieres consimilia indumenta habentes. Nullius amorem habere dignabantur nisi tercio in milicia probates esset. Efficiebantur ergo caste et meliores et milites pro amore illarum probiores.

Geoffrey of Monmouth The History of the Kings of Britain

Bk. 9, ch. 13; pp. 244-5.
Sometimes said to be the earliest reference to love as an ennobling influence.
Historia Regum Britanniae (History of the Kings of Britain)