“But we're still left with structural or compositional elements. The problems aren't any different. I still have to compose a picture, and if you make an object [as Donald Judd does] you have to organize the structure. I don't think our work that radical in any sense because you don't find any really new compositional or structural element. I don't know if that exists. It's like the idea of the color you haven't seen before. Does something exist that's as radical as a diagonal that's not a diagonal? Or a straight line or a compositional element that you can't describe?”

— Frank Stella

quote from Stella, reacting in the artist-talk on Donald Judd who emphasis the 'whole' of an art work
Source: Quotes, 1960 - 1970, Questions to Stella and Judd' - September 1966, p. 119

Adopted from Wikiquote. Last update Sept. 14, 2021. History

Help us to complete the source, original and additional information

Do you have more details about the quote "But we're still left with structural or compositional elements. The problems aren't any different. I still have to comp…" by Frank Stella?

Frank Stella 39

American artist 1936

Related quotes

“I don't feel any direct relationship between what I do and existing art. Though there is unavoidable progression: the things all paintings have in common are paint, and color, and some means of application. With the standard you can make any two pictures appear either alike of different. I don't think whether they're alike or different is really very interesting.”

Robert Rauschenberg (1925–2008) American artist

1950's, Is today's artist with or against the past, (1958)

“This idea that we're not any gender when we're born is very new and very radical that you're born, it's just jump ball, you have a penis, it could mean you’re a boy That's a very new idea and I'm not sure if I'm down with all of it and I don't have to be.”

Bill Maher (1956) American stand-up comedian

Source: Andrew Yang & John McWhorter on Dave Chappelle and 'Transphobia', (2021)

“I will keep for you the small drawings that I usually make beforehand. They don't have any artistic value. I just make them to have some grip for the composition of the print..”

Hendrik Werkman (1882–1945) Dutch artist

version in original Dutch (origineel citaat van Hendrik Werkman, in het Nederlands): De kleine teekeningen die ik vooraf meestal maak, zal ik voor je reserveren. Artistieke waarde hebben ze niet, ik maak ze alleen om eenig houvast te hebben voor de opbouw van de druk..
In a letter (nr. 356) to August Henkels, 11 July 1941; as cited in H. N. Werkman - Leven & Werk - 1882-1945, ed. A. de Vries, J. van der Spek, D. Sijens, M. Jansen; WBooks, Groninger Museum / Stichting Werkman, 2015 (transl: Fons Heijnsbroek), p. 177
In February 1941 it was his friend and leader of the nl:De Blauwe Schuit (uitgeverij) August Henkels who borrowed Werkman the book of Martin Buber: 'Legends of the Baal Shem'. Werkman promised his friend the preliminary drawings he would make for creating the series of 20 prints of the 'Chassidic Legends' https://www.kb.nl/de-chassidische-legenden
1940's

“Whose side are you on?" "I don't know."
"This is a war, you've got to choose." "I don't know."
"Does your village still exist?" "I don't know."
"Are those your children?”

Wisława Szymborska (1923–2012) Polish writer

"Yes."
"Vietnam"
Poems New and Collected (1998), No End of Fun (1967)

“The picture of the 'New Flower' ['Het Bloempje', 1880] is really one of those I did with much idea of having to express loveliness and youth both in human feeling and in the naturally plants of flowers, and If I may say don't you find, that I have succeed in this composition?”

Jozef Israëls (1824–1911) Dutch painter

Quote from his letter, 23 March 1906, to F.W. Gusaulus in Toledo, (TMA); as cited in Jozef Israëls, 1824 – 1911, ed. Dieuwertje Dekkers; Waanders, Zwolle 1999, p. 306
This remark Israëls wrote 26 years after finishing the watercolor; probably it was a gift to the American art-critic
Quotes of Jozef Israels, after 1900