On the influence of culture on an artist in “Interview With Fernando Botero” https://www.huffpost.com/entry/interview-with-fernando-botero_b_6795782 in HuffPost (2017 Dec 6)
“It is from.... Renaissance that individualism in painting dates; and I do not believe there is any use in looking in this direction if we desire to bring into being a fresh mural art, one that shall be at once popular, collective and contemporary.”
Quote from The New Realism goes on, F. Léger, Art Front, February 1937 pp. 7-8
Quotes of Fernand Leger, 1930's
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Fernand Léger 42
French painter 1881–1955Related quotes
The importance of Street Art comes from the fact that this art is available to everyone anywhere, is made from any media using any technique. Street Art lets you do whatever you want in the way you want and do it without asking anybody. This freedom is what makes Street Art unique.
http://artdistricts.com/clandestine-culture-between-street-art-and-social-activism/
undated quotes, The Daily Practice of Painting, Writings (1962-1993)
In his application for a grant given by the Guggenheim Foundation 1944; as quoted in Abstract expressionism, Barbara Hess, Taschen Köln, 2006, p. 9
1940's
“I do not desire to give myself any fresh political label.”
Letter to Herbert Bryan (19 May 1916).
Context: I do not desire to give myself any fresh political label. Though the formation of the Union of Democratic Control it has been possible for me to work in close co-operation with several of your leaders and this joint effort on the part of the Labour members and radicals is having I think a very beneficial effect. I do not desire to alienate myself from any of my former political associates but rather to endeavour to urge them along the same path which I myself am treading.
Source: undated quotes, The Daily Practice of Painting, Writings (1962-1993), p. 78
Source: 1915 - 1916, 100 Aphorisms', Franz Marc (1915), p. 445
Quote from 'Henry Moore', an interview by Donald, in 'Horizon', New York, Nov. 1960
1955 - 1970
Manuscript (1891); as quoted in Edvard Munch and the Physiology of Symbolism (2002) by Shelley Wood Cordulack
1880 - 1895