“Connected yet alienated - that is the paradox of our global digital culture. We have access to so many things, yet we are increasingly incapable of seeing those things, or ourselves, in any meaningful context.”
The Divine Commodity: Discovering A Faith Beyond Consumer Christianity (2009, Zondervan)
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Quoted on Contemporary art, http://coolturamagazine.com/xabier-lezama-mitologia-vasca/, February 15, 2020.
"Anton Ego" in Ratatouille (2007)
Context: In many ways, the work of a critic is easy. We risk very little, yet enjoy a position over those who offer up their work and their selves to our judgment. We thrive on negative criticism, which is fun to write and to read. But the bitter truth we critics must face, is that in the grand scheme of things, the average piece of junk is probably more meaningful than our criticism designating it so. But there are times when a critic truly risks something, and that is in the discovery and defense of the new. The world is often unkind to new talents, new creations. The new needs friends. Last night, I experienced something new; an extraordinary meal from a singularly unexpected source. To say that both the meal and its maker have challenged my preconceptions about fine cooking, is a gross understatement. They have rocked me to my core. In the past, I have made no secret of my disdain for Chef Gusteau's famous motto, "Anyone can cook". But I realize — only now do I truly understand what he meant. Not everyone can become a great artist, but a great artist can come from anywhere. It is difficult to imagine more humble origins than those of the genius now cooking at Gusteau's, who is, in this critic's opinion, nothing less than the finest chef in France. I will be returning to Gusteau's soon, hungry for more.
“And yet we have terrorists in our own culture called abortionists.”
1990s
Source: Foreword for Discovering the Brain (1992) by Sandra Ackerman, p. iii; often paraphrased: "The brain is the most complex thing we have yet discovered in our universe."
Man's Rise to Civilization (1968)
Context: The Ghost Dance made its unfulfillable promises at a time when the Indians were ready to rebel. The teachings of the Native American Church spread at a time when the Indians were ready to admit defeat.... The problem they had to solve was the same as any messianic movement: how to exist with an alien culture yet remain spiritually autonomous. The solution had been to borrow freely from White culture while salvaging what is considered important in Indian religious thought.<!-- p. 269
