
Source: 1960s, The Gutenberg Galaxy (1962), p. 233
Cap 2 "The Wuhan Songsters"
Source: 1960s, The Gutenberg Galaxy (1962), p. 233
In his application for a grant given by the Guggenheim Foundation 1944; as quoted in Abstract expressionism, Barbara Hess, Taschen Köln, 2006, p. 9
1940's
Source: 1969 - 1980, In: "Ellsworth Kelly: Works on Paper," 1987, p. 9 : 'Notes from 1969'
in mainly small sizes
from: 'Lebenserinnerungen', 1938
This small house was in St. Prex, in Switzerland, lake Genova, where Jawlensky concentrated himself on the view around his house in the years after 1914.. ..he painted here more than 400 'Variations on a landscape theme', in St. Prex
Source: 1936 - 1941, Life Memories' (1938), p. 186
Quote from Kirchner's Diary, 1923; as cited in Expressionism, de:Wolf-Dieter Dube; Praeger Publishers, New York, 1973, p. 28-29
1920's
Note signed by Tojo (June 1945), left at a camp during the Bataan Death March http://home.att.net/~betsynewmark3/DebateonBomb.htm. Possible forgery since Tojo was no longer in power for over a year at the time of the discovery. Also, the Japanese homeland was not threatened with invasion at the time and it was common sense that the Philippines would be attacked before.
1940s
1915 - 1940
Source: 'Je rêve d'un grand atelier', Miro 1938; as quoted in Calder Miró, ed. Elizabeth Hutton Turner / Oliver Wick; Philip Wilson Publishers, London 2004, p. 65
Quoted in "Shanghai's Undeclared War" - by George C. Bruce - 1937 - Page 54.
in Marc Elder, A Giverny, chez Claude Monet (1924); as quoted in: Vivian Russell (1998) Monet's Water Lilies: The Inspiration of a Floating World. p. 19
1920 - 1926