Source: 1960s, The Gutenberg Galaxy (1962), p. 233
“Near the northern boundary of Malaya, Japanese took a sudden interest in taking photos and setting up easels to paint. The same thing happened in Johor Bahru. A causeway crosses the Straits of Johor. If you're facing Singapore island, on the left side of the causeway was Seletar. The Japanese would set up easels and paint Seletar. All of them were spies.”
Cap 2 "The Wuhan Songsters"
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Robert Kuok 14
Malaysian businessman 1923Related quotes
In his application for a grant given by the Guggenheim Foundation 1944; as quoted in Abstract expressionism, Barbara Hess, Taschen Köln, 2006, p. 9
1940's
Source: 1969 - 1980, In: "Ellsworth Kelly: Works on Paper," 1987, p. 9 : 'Notes from 1969'
in mainly small sizes
from: 'Lebenserinnerungen', 1938
This small house was in St. Prex, in Switzerland, lake Genova, where Jawlensky concentrated himself on the view around his house in the years after 1914.. ..he painted here more than 400 'Variations on a landscape theme', in St. Prex
Source: 1936 - 1941, Life Memories' (1938), p. 186
Quote from Kirchner's Diary, 1923; as cited in Expressionism, de:Wolf-Dieter Dube; Praeger Publishers, New York, 1973, p. 28-29
1920's
Note signed by Tojo (June 1945), left at a camp during the Bataan Death March http://home.att.net/~betsynewmark3/DebateonBomb.htm. Possible forgery since Tojo was no longer in power for over a year at the time of the discovery. Also, the Japanese homeland was not threatened with invasion at the time and it was common sense that the Philippines would be attacked before.
1940s
1915 - 1940
Source: 'Je rêve d'un grand atelier', Miro 1938; as quoted in Calder Miró, ed. Elizabeth Hutton Turner / Oliver Wick; Philip Wilson Publishers, London 2004, p. 65
Quoted in "Shanghai's Undeclared War" - by George C. Bruce - 1937 - Page 54.
in Marc Elder, A Giverny, chez Claude Monet (1924); as quoted in: Vivian Russell (1998) Monet's Water Lilies: The Inspiration of a Floating World. p. 19
1920 - 1926