“My work has the abstraction underneath it all now & what I deliberately set out to do down here, for this is the perfect realistic abstraction in landscape.”

—  Marsden Hartley

letter to w:Alfred Stieglitz, October 9, 1919, Hartley Archive, Yale University; as quoted in Marsden Hartley, by Gail R. Scott, Abbeville Publishers, Cross River Press, 1988, New York p. 68
1908 - 1920

Adopted from Wikiquote. Last update June 3, 2021. History

Help us to complete the source, original and additional information

Do you have more details about the quote "My work has the abstraction underneath it all now & what I deliberately set out to do down here, for this is the perfec…" by Marsden Hartley?
Marsden Hartley photo
Marsden Hartley 33
American artist 1877–1943

Related quotes

Constantin Brâncuși photo

“There are idiots who define my work as abstract; yet what they call abstract is what is most realistic. What is real is not the appearance, but the idea, the essence of things.”

Constantin Brâncuși (1876–1957) French-Romanian artist

Original in French:
Il y a des imbéciles qui définissent mon œuvre comme abstraite, pourtant ce qu'ils qualifient d'abstrait est ce qu'il y a de plus réaliste, ce qui est réel n'est pas l'apparence mais l'idée, l'essence des choses.
Caiete Silvane magazine, 2008-11-01, Sculptura pe Internet http://www.caietesilvane.ro/indexcs.php?cmd=articol&idart=232,

Alexander Stepanov photo

“I discovered the works of Euler and my perception of the nature of mathematics underwent a dramatic transformation. I was de-Bourbakized, stopped believing in sets, and was expelled from the Cantorian paradise. I still believe in abstraction, but now I know that one ends with abstraction, not starts with it. I learned that one has to adapt abstractions to reality and not the other way around. Mathematics stopped being a science of theories but reappeared to me as a science of numbers and shapes.”

Alexander Stepanov (1950) Russian programmer

Bjarne Stroustrup: Evolving a language in and for the real world: C++ 1991-2006. ACM HOPL-III. June 2007., 2008-04-25, http://web.archive.org/web/20071120015600/http://www.research.att.com/~bs/hopl-almost-final.pdf, 2007-11-20 http://www.research.att.com/~bs/hopl-almost-final.pdf,

Barbara Hepworth photo

“In my search for these values I like to work both realistically and abstractly. In my drawing and painting I turn from one to the other as a necessity or impulse and not because of a preconceived design of action. When drawing what I see I am usually most conscious of the underlying principle of abstract form in human beings and their relationship one to the other. In making my abstract drawings I am most often aware of those human values which dominate the structure and meaning of abstract forms. Sculpture is the fusion of these two attitudes and I like to be free as to the degree of abstraction and realism in carving. The dominant feeling will always be the love of humanity and nature; and the love of sculpture for itself.”

Barbara Hepworth (1903–1975) English sculptor

Source: 1961 - 1975, Barbara Hepworth, A Pictorial autobiography', 1970, p. 285

Fumito Ueda photo

“Comics were the source of my entertainment and interest. But they’re the kind of standard Japanese stuff that Japanese kids enjoy. When I got to university, there was a layer of culture shock that hit me. I began to learn about modern and abstract art. Until that time my drawings were more realistic in style. Then I was opened up to abstract images. I was encountering things I’ve never paid attention to or recognized before. I liked that, behind those abstract images, there was always an idea. That set me thinking about art in terms of ideas, rather than depictions. What could I make that had a clear idea behind it, looked unique, and yet wasn’t alienating? All of that led me to the aesthetic of my games.”

Fumito Ueda (1970) Japanese video game designer

Fumito Ueda: Colossus in the Shadow https://medium.com/@SimonParkin/fumito-ueda-colossus-in-the-shadow-80e200a727dd (December 13, 2016)

Ellsworth Kelly photo

“My work is about structure. It has never been a reaction to Abstract Expressionism. I saw the Abstract Expressionists for the first time in 1954. My line of influence has been the 'structure' of the things I liked: French Romanesque architecture, Byzantine, Egyptian and Oriental art, Van Gogh, Cézanne, Monet, Klee, Picasso, Beckman..”

Ellsworth Kelly (1923–2015) American painter, sculptor, and printmaker

Source: 1969 - 1980, In: "Ellsworth Kelly: Works on Paper," 1987, p. unknown : 'Notes from 1969'

Jan Tschichold photo

“The works of 'abstract' art are subtle creations of order out of simple contrasting elements.”

Jan Tschichold (1902–1974) German graphic designer

Asymmetric Typography (1935)

Eugene J. Martin photo

“There are opposing forces in all living things. My work reflects this and stirs up a contrast of emotions in the viewer… perception versus annoyance. To the viewer who has reached that level of awareness, my work is no longer abstract, but very real.”

Eugene J. Martin (1938–2005) American artist

Direct Art Magazine, "In Memoriam - Eugene James Martin", Fall-Winter 2006,Vol. 13, p. 86, http://www.saatchi-gallery.co.uk/yourgallery/artist/details.php?id=791 and http://afonline.artistsspace.org/view_artist.php?aid=3883

“[Concerning all painters] working in what is known as the abstract style: [the abstract form] is a living thing…. a carrier of the awesome feelings he felt before the unknowable [common quote of Barnett Newman, Clifford Still, and Mark Rothko, 1947]”

Barnett Newman (1905–1970) American artist

1940 - 1950
Source: the catalogue of the 'Ideographic Picture' show, New York, 1947

Albert Camus photo

“Yes, there was an element of abstraction and unreality in misfortune. But when an abstraction starts to kill you, you have to get to work on it.”

Albert Camus book The Plague

The Plague (1947)

Kamila Shamsie photo

“The thing you know in the abstract, but which you have to see, is the vastness of the place and how little relationship one side of it has to another. Mostly, the landscape is just unbelievably beautiful. You do a lot of looking and not that much thinking.”

Kamila Shamsie (1973) Pakistani writer

Source: On living and travelling throughout the United States in “THE SRB INTERVIEW: Kamila Shamsie” https://www.scottishreviewofbooks.org/2018/08/the-srb-interview-kamila-shamsie/ in The Scottish Review of Books (2018 Aug 11)

Related topics