Arts and Architecture, vol. 68, no 9, September 1951, p. 21.
1950s
“As Arp and I are sitting in the large living room of my house on Central Park in November 1958, we try again and again to understand the significance of Dada for ourselves and for others. Many elements surfaced in me and in the 'Fantastic Prayers' [his poems Phantastische Gebete, Zurich 1916] at the same time; resistance against the 'civilization' we live in, fury about a purely factual world which leaves out personality and thus creative power, the means of irony and underlying religiousness. Ball turned religious during the times of dadaism, Arp is a religious person today, and I have always been one, without wanting to realize it, perhaps without knowing it.”
Quote in his 'Preface' by Richard Huelsenbeck, New York, November 1958, in Phantastische Gebete; published by Arche Verlag, Zurich, 1960 (transl. by Johannes Beilharz, 2000)
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Richard Huelsenbeck 10
German poet 1892–1974Related quotes

Source: The Courage to Create (1975), Ch. 7 : Passion for Form, p. 134

Source: The New Party - (1961), Chapter 7, Program, p. 80 (See also: New World Order)
Source: Henri Cartier-Bresson: The Modern Century

1921 - 1950
Source: 'Appreciations of other artists': Jean (Hans) Arp (sculptor, painter, writer) 1949, by Marcel Duchamp; as quoted in Catalog, Collection of the Societé Anonyme, eds. Michel Sanouillet / Elmer Peterson, London 1975, pp. 143- 159

As quoted in Judaism (1998) by Arthur Hertzberg, p. 300
Variant: "It is the momentary disregard of our personal concerns, the absence of self-centered thoughts, which constitute the act of prayer."

The Educated Imagination (1963), Talk 3: Giants in Time