“There is a lot of model making in my work, also because I am the son of a sculptor Giannino Castiglioni and I always saw my father working with his hands and shaping material into the desired form.”

— Achille Castiglioni

Achille Castiglioni, 1960 - Lierna (Lago di Como), 1971. Scultore. in: Domus Magazine, Achille Effect, Laura Bossi, 13 April 2010, ( Domusweb online https://www.domusweb.it/en/news/2010/04/13/achille-effect.html)

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Achille Castiglioni 3

Italian designers and architect 1918–2002

Achille Castiglioni (1918–2002) Italian designers and architect

Giannino Castiglioni. Milano, 1884 - Lierna (Lago di Como), 1971. Scultore. in: II personaggi pubblici., p. 42 ( online http://www.alessandraubertazzi.eu/wp-content/pdf/monumentale/personaggipubblici.pdf)

“All my early memories are of forms and shapes and textures. Moving through and over the West Riding landscape with my father in his car, the hills were sculptures; the roads defined the forms. Above all, there was the sensation of moving physically over the contours of foulnesses and concavities, through hollows and over peaks – feeling, touching, seeing, through mind and hand and eye. This sensation has never left me. I, the sculptor, am the landscape. I am the form and I am the hollow, the thrust and the contour.”

Barbara Hepworth (1903–1975) English sculptor

Source: 1961 - 1975, Barbara Hepworth, A Pictorial autobiography', 1970, p. 280

“A son honors his father,
And a servant his master.
If then I am the Father,
Where is my honor?
And if I am a Master,
Where is My reverence?”

Malachi Biblical prophet

Source: Book of Malachi, Chapter 1, Verse 6, Lines 1-6 (NKJV)

“The sculptor carves because he must. He needs the concrete form of stone and wood for the expression of his idea and experience, and when the idea forms the material is found at once. …. I have always preferred direct carving to modelling because I like the resistance of the hard material and feel happier working that way. Carving is more adapted to the expression of the accumulative idea of experience and clay to the visual attitude. An idea for carving must be clearly formed before starting and sustained during the long process of working; also, there are all the beauties of several hundreds of different stones and woods, and the idea must be in harmony with the qualities of each one carved; that harmony comes with the discovery of the most direct way of carving each material according to its nature.”

Barbara Hepworth (1903–1975) English sculptor

quote from an extract of 'Barbara Hepworth – the Sculptor carves because he must, The Studio, London, vol. 104, December 1932, p. 332
1932 - 1946

“Fortunately, a sculptor's style and aim are, to a great extent, dictated to him by his materials. To make a sculpture seem at all moving or inspiring, an artist must, of course, be gifted with a certain personality that speaks movingly through the subject and materials of his work. But he must select appropriate materials, and use them appropriately, too... My materials often dictate my change of aims, and I choose to work in a different material much as a man may suddenly feel an appetite for a change in diet.”

Ossip Zadkine (1890–1967) French sculptor

c. 1960
Source: 1960 - 1968, Dialogues – conversations with.., quotes, c. 1960, pp. 154-155

“I am also working on materials never worked on in the world, completely new type of materials on the planet. I am worried not so much for myself, I will go on working. But I am worried for others.”

C. N. R. Rao (1934) Indian chemist

Scientist wonders why nobody asks him about Dan David prize (2013)

“Light and space … are the sculptor's materials as much as wood or stone … I feel that I can relate my work more easily, in the open air, to the climate and the landscape.”

Barbara Hepworth (1903–1975) English sculptor

1947 - 1960
Source: Interview in Dialogues on Art, Edouard Roditi; London, 1960, pp. 91–92

“The work of the sculptors of my age & somewhat older – Brancusi – Arp – Lipschitz – Laurens – Giacometti – has gradually approached a freedom & moved into space, compared with the sculptors of earlier period – Rodin – Maillol [. And] & the young sculptors of today all have the tendency to work with space – to model rather than carve – but it is very necessary in my opinion to have been able to get the refinement & completeness of a single form before going on to space form with no body”

Henry Moore (1898–1986) English artist

Quote in 'Unpublished notes' 1951, HMF Archive; as cited in Henry Moore writings and Conversations, ed. Alan Wilkinson, University of California Press, California 2002, p. 121
1940 - 1955

“I have shown you that I am everywhere and in all men and in all things, that I am in this movement and I am not only working in those who are striving for the country but I am working also in those who oppose them and stand in their path. I am working in everybody and whatever men may think or do, they can do nothing but help in my purpose. They also are doing my work, they are not my enemies but my instruments.”

Sri Aurobindo (1872–1950) Indian nationalist, freedom fighter, philosopher, yogi, guru and poet

The Uttarpara Address (1909)
Context: The second message came and it said, "Something has been shown to you in this year of seclusion, something about which you had your doubts and it is the truth of the Hindu religion. It is this religion that I am raising up before the world, it is this that I have perfected and developed through the Rishis, saints and Avatars, and now it is going forth to do my work among the nations. I am raising up this nation to send forth my word. This is the Sanatan Dharma, this is the eternal religion which you did not really know before, but which I have now revealed to you. The agnostic and the sceptic in you have been answered, for I have given you proofs within and without you, physical and subjective, which have satisfied you. When you go forth, speak to your nation always this word, that it is for the Sanatan Dharma that they arise, it is for the world and not for themselves that they arise. I am giving them freedom for the service of the world. When therefore it is said that India shall rise, it is the Sanatan Dharma that shall be great. When it is said that India shall expand and extend herself, it is the Sanatan Dharma that shall expand and extend itself over the world. It is for the Dharma and by the Dharma that India exists. To magnify the religion means to magnify the country. I have shown you that I am everywhere and in all men and in all things, that I am in this movement and I am not only working in those who are striving for the country but I am working also in those who oppose them and stand in their path. I am working in everybody and whatever men may think or do, they can do nothing but help in my purpose. They also are doing my work, they are not my enemies but my instruments. In all your actions you are moving forward without knowing which way you move. You mean to do one thing and you do another. You aim at a result and your efforts subserve one that is different or contrary. It is Shakti that has gone forth and entered into the people. Since long ago I have been preparing this uprising and now the time has come and it is I who will lead it to its fulfilment."

“Genesis as formal motion is the essential thing in a work. In the beginning the motif, insertion of energy, sperm. Works as shaping of form in the material sense: the primitive female component. Works as form - determining sperm: the primitive female component. My drawings belong to the male realm.”

Paul Klee (1879–1940) German Swiss painter

Quote (1912), # 931, in The Diaries of Paul Klee, translation: Pierre B. Schneider, R. Y. Zachary and Max Knight; publisher, University of California Press, 1964
1911 - 1914

“There is a lot of model making in my work, also because I am the son of a sculptor Giannino Castiglioni and I always saw my father working with his hands and shaping material into the desired form.”

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