1941 - 1967
Source: Three Hundred Years of American Painting, Alexander Eliot; New York: Time Inc., 1957, p. 298
“I can not evolve any concrete theory about painting. What happens on the canvas is unpredictable and surprising to me.”
Source: Posthumous quotes, Abstract Expressionist Painting in America, (1983), p. 135 : original source: 'Willem de Kooning', in 'Moma Bulletin' pp. 6,7
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William Baziotes 22
American painter 1912–1963Related quotes
Quotes, 1960 - 1970
Source: LIFE http://books.google.com/books?id=XUoEAAAAMBAJ&pg=PA49, Vol. 64, nr. 3, 19 January 1968, p. 49
Source: 1961 - 1980, transcript of a public forum at Boston university', conducted by Joseph Ablow 1966, p. 67
Source: 1950 - 1960, Interview with David Sylvester, BBC (March 1960), pp. 95
Source: Quotes, 1960 - 1970, Questions to Stella and Judd' - September 1966, p. 121
“Life is a great big canvas; throw all the paint you can at it.”
1911 - 1940, Notes on Painting - Edward Hopper (1933)
Quote of Rembrandt's letter, Nov/Dec. 1662, to buyer Don Antonio Ruffo from Messina, Sicily (location: RD, 1662/12, 509); as quoted in Rembrandt's Eyes, Simon Schama, Alfred A. Knopf, Borzoi Books, NEW YORK 1999, p. 591, & notes 32-36
Rembrant's reaction after complaints of Don Antonio Ruffo, dispatched through the Dutch consul in Messina, Jan van den Broeck, who was on his way to Amsterdam. Once there he was to inform Isaac Just (presumably the intermediary between Rembrandt and the Messina patrician), of the intense dissatisfaction at the work, which Don Ruffo had received. 'The Alexander', he complained, being unacceptably stitched together from four separate pieces, showed seams which were 'too horrible for words.'..g with so many defects.. (Don Ruffo already bought Rembrandt's painting Aristotle with a Bust of Homer c. 1655 and still existing: https://commons.wikimedia.org/wiki/File:Rembrandt_-_Aristotle_with_a_Bust_of_Homer_-_WGA19232.jpg, but 'The Alexander' of Rembrandt is lost).
1640 - 1670